Italian Cinema
Gender and Genre
(Sprache: Englisch)
Maggie Günsberg examines popular genre cinema in Italy during the 1950s and 1960s, focussing on melodrama, commedia all'italiana , peplum, horror and the spaghetti western. These genres are explored from a gender standpoint which takes into account the...
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Maggie Günsberg examines popular genre cinema in Italy during the 1950s and 1960s, focussing on melodrama, commedia all'italiana , peplum, horror and the spaghetti western. These genres are explored from a gender standpoint which takes into account the historical and socio-economic context of cinematic production and consumption. An interdisciplinary feminist approach informed by current film theory and other perspectives (psychoanalytic, materialist, deconstructive), leads to the analysis of genre-specific representations of femininity and masculinity as constructed by the formal properties of film.
Inhaltsverzeichnis zu „Italian Cinema “
Introduction Domestic Bliss: Desire and the Family in Melodrama Commodifying Passions: Gender and Consumerism in Commedia all'italiana Heroic Bodies: The Cult of Masculinity in the Peplum Looking at Medusa: Investigating Femininity in the Horror Film The Man With No Name: Masculinity as Style in the Spaghetti Western Filmography Bibliography Index
Autoren-Porträt von M. Günsberg
MAGGIE GÜNSBERG is Professor of Italian in the Department of Italian Studies at Manchester University, UK. Her research interests include women's writing, Italian cinema and Italian drama. She has published several books in these areas including Playing with Gender: The Comedies of Goldoni; The Epic Rhetoric of Tasso: Theory and Practice; Gender and the Italian Stage: From the Renaissance to the Present and Patriarchal Representations: Gender and Discourse in Pirandello's Theatre.
Bibliographische Angaben
- Autor: M. Günsberg
- 2005, 1st ed., 243 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349412295
- ISBN-13: 9781349412297
Sprache:
Englisch
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