Literature and Artistic Practice in Sixteenth-Century Italy
(Sprache: Englisch)
A study on the technique of painting through cross-analysis of literary texts by Leonardo, Vasari, Armenini, Borghini, Lomazzo and works of art, examining some significant paintings in the Capodimonte Museum, Naples.
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A study on the technique of painting through cross-analysis of literary texts by Leonardo, Vasari, Armenini, Borghini, Lomazzo and works of art, examining some significant paintings in the Capodimonte Museum, Naples.
Klappentext zu „Literature and Artistic Practice in Sixteenth-Century Italy “
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors-Leonardo, Vasari, Armenini, Borghini, Lomazzo-she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate-'disegno', 'invenzione', the contrast between 'prestezza' and 'diligenza', the 'paragone'-are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Inhaltsverzeichnis zu „Literature and Artistic Practice in Sixteenth-Century Italy “
INTRODUCTION No Man's Land - Technical treatises1. "LIBRI DI BOTTEGA": A COVERT TRANSMISSION
1.1. The background
1.2. Among transcriptions and abridged versions: Leonardo's writings, the multiform life of a never-to-be-born treatise
1.3. The underground circulation of Cennino Cennini's Libro dell'arte
1.4. "My intention was to only write the lives and works of our artists, and not to teach the arts": the Introduzzione alle arti and techniques of painting in Vasari's Lives
1.5. Il Riposo by Raffaello Borghini: analysis of a text as a mirror of technical knowledge in the workshops at the end of the sixteenth century
1.6. De' veri precetti della pittura by Giovan Battista Armenini, a consciously "grammatical" approach
1.7. The Treatises of Giovan Paolo Lomazzo and the legacy of Leonardo in Lombardy
2. ISSUES AND FORMS
2.1 Disegno and invention: Schizzo, macchia, abbozzo, and the construction of the work of art
2.2. Prestezza and diligenza as a key for interpreting the rel
Autoren-Porträt von Angela Cerasuolo
Angela Cerasuolo, Ph.D. (2012) Seconda Università di Napoli, is Restorer-conservator in the Museum of Capodimonte, Naples. She has published on history and theory of conservation and on painting techniques, including contribution on Raphael, Sebastiano del Piombo, Polidoro, Vasari, Leonardo.
Bibliographische Angaben
- Autor: Angela Cerasuolo
- 2017, XX, 480 Seiten, Gebunden, Englisch
- Übersetzung: Glanville, Helen
- Verlag: Brill
- ISBN-10: 9004314873
- ISBN-13: 9789004314870
Sprache:
Englisch
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