Mastering the Art of Soviet Cooking
A Memoir of Food & Longing
(Sprache: Englisch)
A James Beard Award-winning writer captures life under the Red socialist banner in this wildly inventive, tragicomic memoir of feasts, famines, and three generations
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A James Beard Award-winning writer captures life under the Red socialist banner in this wildly inventive, tragicomic memoir of feasts, famines, and three generations Delicious . . . A banquet of anecdote that brings history to life with intimacy, candor, and glorious color. NPR s All Things Considered
Born in 1963, in an era of bread shortages, Anya grew up in a communal Moscow apartment where eighteen families shared one kitchen. She sang odes to Lenin, black-marketeered Juicy Fruit gum at school, watched her father brew moonshine, and, like most Soviet citizens, longed for a taste of the mythical West. It was a life by turns absurd, naively joyous, and melancholy and ultimately intolerable to her anti-Soviet mother, Larisa. When Anya was ten, she and Larisa fled the political repression of Brezhnev-era Russia, arriving in Philadelphia with no winter coats and no right of return.
Now Anya occupies two parallel food universes: one where she writes about four-star restaurants, the other where a taste of humble kolbasa transports her back to her scarlet-blazed socialist past. To bring that past to life, Anya and her mother decide to eat and cook their way through every decade of the Soviet experience. Through these meals, and through the tales of three generations of her family, Anya tells the intimate yet epic story of life in the USSR. Wildly inventive and slyly witty, Mastering the Art of Soviet Cooking is that rare book that stirs our souls and our senses.
ONE OF THE BEST BOOKS OF THE YEAR: The Christian Science Monitor, Publishers Weekly
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Chapter One1910s: The Last Days of the Czars
My mother is expecting guests.
In just a few hours in this sweltering July heat wave, eight people will show up for an extravagant czarist-era dinner at her small Queens apartment. But her kitchen resembles a building site. Pots tower and teeter in the sink; the food processor and blender drone on in unison. In a shiny bowl on Mom s green faux-granite counter, a porous blob of yeast dough seems weirdly alive. I m pretty sure it s breathing. Unfazed, Mother simultaneously blends, sautés, keeps an eye on Chris Matthews on MSNBC, and chatters away on her cordless phone. At this moment she suggests a plump modern-day elf, multitasking away in her orange Indian housedress.
Ever since I can remember, my mother has cooked like this, phone tucked under her chin. Of course, back in Brezhnev s Moscow in the seventies when I was a kid, the idea of an extravagant czarist dinner would have provoked sardonic laughter. And the cord of our antediluvian black Soviet telefon was so traitorously twisted, I once tripped on it while carrying a platter of Mom s lamb pilaf to the low three-legged table in the cluttered space where my parents did their living, sleeping, and entertaining.
Right now, as one of Mom s ancient émigré friends fills her ear with cultural gossip, that pilaf episode returns to me in cinematic slow motion. Masses of yellow rice cascade onto our Armenian carpet. Biddy, my two-month-old puppy, greedily laps up every grain, her eyes and tongue swelling shockingly in an instant allergic reaction to lamb fat. I howl, fearing for Biddy s life. My father berates Mom for her phone habits.
Mom managed to rescue the disaster with her usual flair, dotty and determined. By the time guests arrived with an extra four non-sober comrades she d conjured up a tasty fantasia from two pounds of the proletarian wurst called sosiski. These she d cut into petal-like shapes, splayed in a skillet, and fried
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up with eggs. Her creation landed at table under provocative blood-red squiggles of ketchup, that decadent capitalist condiment. For dessert: Mom s equally spontaneous apple cake. Guest-at-the-doorstep apple charlotte, she dubbed it.
Guests! They never stopped crowding Mom s doorstep, whether at our apartment in the center of Moscow or at the boxy immigrant dwelling in Philadelphia where she and I landed in 1974. Guests overrun her current home in New York, squatting for weeks, eating her out of the house, borrowing money and books. Every so often I Google compulsive hospitality syndrome. But there s no cure. Not for Mom the old Russian adage An uninvited guest is worse than an invading Tatar. Her parents house was just like this, her sister s even more so.
Tonight s dinner, however, is different. It will mark our archival adieu to classic Russian cuisine. For such an important occasion Mom has agreed to keep the invitees to just eight after I slyly quoted a line from a Roman scholar and satirist: The number of dinner guests should be more than the Graces and less than the Muses. Mom s quasi-religious respect for culture trumps even her passion for guests. Who is she to disagree with the ancients?
And so, on this diabolically torrid late afternoon in Queens, the two of us are sweating over a decadent feast set in the imagined 1910s Russia s Silver Age, artistically speaking. The evening will mark our hail and farewell to a grandiose decade of Moscow gastronomy. To a food culture that flourished at the start of the twentieth century and disappeared abruptly when the 1917 revolution transforme
Guests! They never stopped crowding Mom s doorstep, whether at our apartment in the center of Moscow or at the boxy immigrant dwelling in Philadelphia where she and I landed in 1974. Guests overrun her current home in New York, squatting for weeks, eating her out of the house, borrowing money and books. Every so often I Google compulsive hospitality syndrome. But there s no cure. Not for Mom the old Russian adage An uninvited guest is worse than an invading Tatar. Her parents house was just like this, her sister s even more so.
Tonight s dinner, however, is different. It will mark our archival adieu to classic Russian cuisine. For such an important occasion Mom has agreed to keep the invitees to just eight after I slyly quoted a line from a Roman scholar and satirist: The number of dinner guests should be more than the Graces and less than the Muses. Mom s quasi-religious respect for culture trumps even her passion for guests. Who is she to disagree with the ancients?
And so, on this diabolically torrid late afternoon in Queens, the two of us are sweating over a decadent feast set in the imagined 1910s Russia s Silver Age, artistically speaking. The evening will mark our hail and farewell to a grandiose decade of Moscow gastronomy. To a food culture that flourished at the start of the twentieth century and disappeared abruptly when the 1917 revolution transforme
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Autoren-Porträt von Anya von Bremzen
Anya von Bremzen is one of the most accomplished food writers of her generation: the winner of three James Beard awards; a contributing editor at Travel + Leisure magazine; the author of six acclaimed cookbooks, among them The New Spanish Table, The Greatest Dishes: Around the World in 80 Recipes, and Please to the Table: The Russian Cookbook (coauthored by John Welchman); and the author of two other works of nonfiction, including National Dish. She also contributes regularly to Food & Wine and Saveur and has written for The New Yorker, Departures, and the Los Angeles Times. She divides her time between New York City and Istanbul.
Bibliographische Angaben
- Autor: Anya von Bremzen
- 2014, 368 Seiten, Maße: 13,2 x 20,9 cm, Kartoniert (TB), Englisch
- Verlag: Crown
- ISBN-10: 0307886824
- ISBN-13: 9780307886828
- Erscheinungsdatum: 12.09.2014
Sprache:
Englisch
Pressezitat
Delightful . . . The culinary memoir has lately evolved into a genre of its own, what is now known as a oodoir. But Anya von Bremzen is a better writer than most of the genre s practitioners, as this delectable book, which tells the story of postrevolutionary Russia through the prism of one family's meals, amply demonstrates. . . . Von Bremzen moves artfully between historical longshots and intimate details. The New York Times Book Review Von Bremzen ladles out a rich, zesty history of family life in the USSR conveyed through food and meals. Entertainment Weekly
Beautifully told . . . Mastering the Art of Soviet Cooking turns a bittersweet eye and an intelligent heart on Soviet history through food. Los Angeles Times
Von Bremzen knows how to tell a story poignant, funny, but never lacking. Chicago Tribune
Brilliant . . . a lyrical memoir and multifaceted reflection on Soviet (and American) cultures. The Philadelphia Inquirer
An ambitious food memoir that is also a meticulously researched history of the Soviet Union. . . . A meditation on culinary nostalgia. Julia Moskin, The New York Times
Both rollicking and heartrending. Time
Breathtaking . . . Mastering the Art of Soviet Cooking is a painstakingly researched and beautifully written cultural history but also the best kind of memoir: one with a self-aware narrator who has mastered the art of not taking herself entirely seriously. Masha Gessen, New York Review of Books
At once harrowing and funny as hell, an epic history told through kotleti (Soviet hamburgers) and contraband Coca-Cola. James Oseland, Saveur
There is no book quite like Mastering the Art of Soviet Cooking. . . . Through all of this lovely and moving memoir's good humor, bittersweet reminiscences, and gorgeous evocations of food, there hangs the 'toska,' the Russian nostalgic 'ache,' of Anya
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and Larisa's conflicted feelings about the past. The Christian Science Monitor
A masterful telling of Soviet history through the eyes of a cook . . . a collection of fantastic stories that you hear only when sitting on a bar stool or in a church pew. Von Bremzen offers remarkable and personal insight about the Cold War, its politics, military strategy and the human suffering that accompanied it. Minnapolis Star-Tribune
Moving . . . funny . . . fascinating . . . Soul-stirring for any emigrant to read, Mastering the Art of Soviet Cooking is a beautifully written tale of heartbreak and ultimately happiness. Epicurious
I don t think there s ever been a book quite like this; I couldn t put it down. Warm, smart and completely engaging, this food-forward journey through Soviet history could only have been written by someone who was there. Part memoir, part cookbook, part social history, this gripping account of Anya von Bremzen s relationship with the country she fled as a young girl is also an unsentimental, but deeply loving tribute to her mother. Unique and remarkable, this is a book you won't forget. Ruth Reichl, author of Tender at the Bone
Anya's description of the saltiness in vobla is as poignant and image-filled as her reflection on a life that started out one way, but ended up in a better place by chance and fate. Her experience of growing up a child of two different worlds tells the beautiful tale of so many American immigrants. Marcus Samuelsson, chef-founder, Red Rooster Harlem, and author of Yes, Chef
Anya von Bremzen describes the foods of her past powerfully, poetically, and with a wicked sense of humor. Anyone can make a fancy layer cake sound delicious. To invoke an entire culture and era through an intimate story about a salad or soup that s taking food writing to a whole different level. David Chang, chef-founder, Momofuku
A masterful telling of Soviet history through the eyes of a cook . . . a collection of fantastic stories that you hear only when sitting on a bar stool or in a church pew. Von Bremzen offers remarkable and personal insight about the Cold War, its politics, military strategy and the human suffering that accompanied it. Minnapolis Star-Tribune
Moving . . . funny . . . fascinating . . . Soul-stirring for any emigrant to read, Mastering the Art of Soviet Cooking is a beautifully written tale of heartbreak and ultimately happiness. Epicurious
I don t think there s ever been a book quite like this; I couldn t put it down. Warm, smart and completely engaging, this food-forward journey through Soviet history could only have been written by someone who was there. Part memoir, part cookbook, part social history, this gripping account of Anya von Bremzen s relationship with the country she fled as a young girl is also an unsentimental, but deeply loving tribute to her mother. Unique and remarkable, this is a book you won't forget. Ruth Reichl, author of Tender at the Bone
Anya's description of the saltiness in vobla is as poignant and image-filled as her reflection on a life that started out one way, but ended up in a better place by chance and fate. Her experience of growing up a child of two different worlds tells the beautiful tale of so many American immigrants. Marcus Samuelsson, chef-founder, Red Rooster Harlem, and author of Yes, Chef
Anya von Bremzen describes the foods of her past powerfully, poetically, and with a wicked sense of humor. Anyone can make a fancy layer cake sound delicious. To invoke an entire culture and era through an intimate story about a salad or soup that s taking food writing to a whole different level. David Chang, chef-founder, Momofuku
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