Blackface
(Sprache: Englisch)
Investigates what blackface is, why it occurred, and what its legacies are in the 21st century.
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Produktinformationen zu „Blackface “
Investigates what blackface is, why it occurred, and what its legacies are in the 21st century.
Klappentext zu „Blackface “
A New Statesman essential non-fiction book of 2021Featured in Book Riot's 12 best nonfiction books about Black identity and historyA Times Higher Education Book of the Week2022 Finalist for the Prose Awards (Media and Cultural Studies category)Why are there so many examples of public figures, entertainers, and normal, everyday people in blackface? And why aren't there as many examples of people of color in whiteface? This book explains what blackface is, why it occurred, and what its legacies are in the 21st century. There is a filthy and vile thread-sometimes it's tied into a noose-that connects the first performances of Blackness on English stages, the birth of blackface minstrelsy, contemporary performances of Blackness, and anti-Black racism. Blackface examines that history and provides hope for a future with new performance paradigms. Object Lessons is published in partnership with an essay series in The Atlantic.
Inhaltsverzeichnis zu „Blackface “
1. Why write this book?2. Megyn Kelly, Justin Trudeau, or [fill in another public figure's name]3. What is blackface?4. Why does blackface exist? Because of Uppity Negros, of course!5. What is the legacy of blackface? The impact on white actors6. What is the legacy of blackface? The impact on black actors7. Conclusion: I can't breatheIndex
Autoren-Porträt von Ayanna Thompson
Ayanna Thompson is a Regents Professor of English and Director of the Arizona Center for Medieval & Renaissance Studies (ACMRS) at Arizona State University. She is the author of Shakespeare in the Theatre: Peter Sellars (Arden Bloomsbury, 2018), Teaching Shakespeare with Purpose: A Student-Centred Approach, co-authored with Laura Turchi (Arden Bloomsbury, 2016), Passing Strange: Shakespeare, Race, and Contemporary America (Oxford University Press, 2011), and Performing Race and Torture on the Early Modern Stage (Routledge, 2008). She wrote the new introduction for the revised Arden3 Othello (Arden, 2016), and is the editor of The Cambridge Companion to Shakespeare and Race (forthcoming Cambridge University Press, 2021), Weyward Macbeth: Intersections of Race and Performance (Palgrave, 2010), and Colorblind Shakespeare: New Perspectives on Race and Performance (Routledge, 2006). She is currently collaborating with Curtis Perry on the Arden4 edition of Titus Andronicus. She was the 2018-19 President of the Shakespeare Association of America, and served as a member of the Board of Directors for the Association of Marshall Scholars. She was one of Phi Beta Kappa's Visiting Scholars for 2017-2018.
Bibliographische Angaben
- Autor: Ayanna Thompson
- 2021, 144 Seiten, Maße: 15,6 x 18,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: Christopher Schaberg, Ian Bogost
- Verlag: Bloomsbury Academic
- ISBN-10: 150137401X
- ISBN-13: 9781501374012
- Erscheinungsdatum: 12.05.2021
Sprache:
Englisch
Pressezitat
Examines Hollywood's painful, enduring ties to racist performances. Variety
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