Otto Dix and Weimar Media Culture
Time, Fashion and Photography in Portrait Paintings of the Neue Sachlichkeit
(Sprache: Englisch)
Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit, or New Objectivity, movement in painting in 1920s Germany. This groundbreaking study analyses for the first time the relationship between Dix's verist-realist portrait paintings and the...
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Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit, or New Objectivity, movement in painting in 1920s Germany. This groundbreaking study analyses for the first time the relationship between Dix's verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era that surrounded it.
Klappentext zu „Otto Dix and Weimar Media Culture “
Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit movement in painting in 1920s Germany. This groundbreaking study analyses for the first time in depth the relationship between Dix's verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era. Focusing on a selection of portraits created in the first half of the 1920s, the book explores four specific aspects: the way in which Dix engaged with fashion and celebrity culture; how he responded to the challenge posed by photography; how he dealt with a situation where black-and-white reproductions were the most common medium through which diverse audiences encountered his work, and the ways in which Dix's career development ran in parallel with the commentary on his artistic production in journalistic and specialist media publications. Temporality, medium-specificity and reproduction are identified as concerns that drove his aesthetic responses to a historically specific environment.
New archival material, letters and interviews by the artist, and a wide range of publications by art critics, cultural theorists and art historians of the Weimar era are drawn on to reveal new information about key paintings such as Self-Portrait with Nude Model (1923) and Portrait of the Dancer Anita Berber (1925).
Inhaltsverzeichnis zu „Otto Dix and Weimar Media Culture “
Contents: Inscribing Temporality, Containing Fashion: Otto Dix's Portrait of the Dancer Anita Berber Recontextualised - «Material Verism»: Medium- Specificity and Haptic Effects in Self-Portrait with Nude Model and Portrait Mrs Martha Dix - Reproductive Optics: Otto Dix's Portrait of the Poet Herbert Eulenberg and Painting in Reproduction - Otto Dix with «Retrospective Flavour»: The Language of Temporality and the Temporality of Language in the Print Media.
Autoren-Porträt von Anne Reimers
Anne Reimers studied art history, philosophy and Italian in Bonn and Rome and holds a PhD in History of Art from University College London (UCL). She is a Senior Lecturer in Cultural and Historical Studies at London College of Fashion, University of the Arts London (UAL) and at the University for the Creative Arts (UCA). Since 2006, she has written on the global art market for the German newspaper Frankfurter Allgemeine Zeitung.
Bibliographische Angaben
- Autor: Anne Reimers
- 2022, Neuausgabe, XVIII, 314 Seiten, 65 Abbildungen, Maße: 15,2 x 22,9 cm, Gebunden, Englisch
- Herausgegeben: Christian Weikop
- Verlag: Peter Lang Ltd. International Academic Publishers
- ISBN-10: 1800791232
- ISBN-13: 9781800791237
Sprache:
Englisch
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