Phenomenology and the Future of Film
Rethinking Subjectivity Beyond French Cinema
(Sprache: Englisch)
Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore...
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Klappentext zu „Phenomenology and the Future of Film “
Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.
Inhaltsverzeichnis zu „Phenomenology and the Future of Film “
List of Illustrations Preface Acknowledgements Introduction Time and Matter: Temporality, Embodied Subjectivity and Film Phenomenology Knowing and Nothing: Chris Marker, Subjective Temporalities and Vocalic Bodies in the Future Tense Agnès Varda's Trinket Box: Subjective Relationality, Affect and Temporalised Space Burlesque Gestures and Bodily Attention: Phenomenologies of the Ephemeral in Chantal Akerman Threatened Corporealities: Thinking with the Films of Philippe Grandrieux Conclusion: Rethinking Cinematic Subjectivity and Beyond Endnotes Bibliography Filmography Installations Cited
Autoren-Porträt von Jenny Chamarette
Jenny Chamarette is Lecturer in Film Studies at Queen Mary, University of London, UK. Formerly a Research Fellow at Fitzwilliam College, Cambridge, her work concentrates on intermediality, phenomenology and affect in visual culture. She has published previously on theorizations of photography, film and installation art in France, Europe and North America.
Bibliographische Angaben
- Autor: Jenny Chamarette
- 2012, 271 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349335223
- ISBN-13: 9781349335220
Sprache:
Englisch
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