Postcolonial African Cinema: From Political Engagement to Postmodernism
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Contents
Preface: Out with the Authentic, In with the Wazimamoto
Acknowledgments
Introduction: The Creation of a Cinema Engagé
1. Did We Get Off to the Wrong Start? Toward an Aesthetic of Surface versus Depth
2. Sembène's Xala, the Fetish, and the Failed Trickster
3. Cameroonian Cinema: Ba Kobhio, Teno, and the Technologies of Power
4. From Jalopy to Goddess: Quartier Mozart, Faat Kine, and Divine carcasse
5. Toward a Zizekian Reading of African Cinema
6. Aristotle's Plot: What's Inside the Can?
7. Finye: The Fantasmic Support
8. Hyenas: Truth, Badiou's Ethics, and the Return of the Void
9. Toward a Postmodern African Cinema: Fanta Nacro's "Un Certain matin" and Djibril Diop Mambéty's Parlons Grand-Mère
Kenneth W. Harrow is Professor of English at Michigan State University. His publications include Threshold of Change in African Literature: The Emergence of a Tradition, Less Than One and Double, and African Cinema: Postcolonial and Feminist Readings.
- Autor: Kenneth W. Harrow
- Altersempfehlung: Ab 22 Jahre
- 2007, 296 Seiten, Maße: 15,6 x 23,4 cm, Kartoniert (TB), Englisch
- Verlag: INDIANA UNIV PR
- ISBN-10: 0253219140
- ISBN-13: 9780253219145
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