Psycho in the Shower: The History of Cinema's Most Famous Scene
(Sprache: Englisch)
This is a brilliant study of one scene in one movie: the shower scene from Psycho. Every other chapter is an extended interview with someone who worked on the original film, or on Gus van Sant's remake from a few years ago. The non-interview chapters tak
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This is a brilliant study of one scene in one movie: the shower scene from Psycho. Every other chapter is an extended interview with someone who worked on the original film, or on Gus van Sant's remake from a few years ago. The non-interview chapters tak
Inhaltsverzeichnis zu „Psycho in the Shower: The History of Cinema's Most Famous Scene “
Preface; Introduction; 1: My Research Trip; 2. Janet Leigh; 3. The Trip Continued - Two Intersecting Paths to Psycho; 4. Joseph Stefano; 5. Constructing Suspense - Mise en Scene; 6. Hilton Green; 7. Montage: Creating Terror; 8. Danny Greene; 9. The Evolution of the Shower Scene; 10. Terry Williams; 11. The Culmination of Suspense and Terror: The Shower Scene; 12. Amy Duddleston; 13. Homage; 14. The First Time; Bibliography; Index.
Autoren-Porträt von Philip J. Skerry
Dr. Philip J. Skerry is Professor Emeritus at Lakeland Community College in Kirtland, Ohio, where he has taught English and film courses for thirty-five years. Dr. Skerry has written numerous articles on film for scholarly journals and for anthologies. His major interests in addition to Hitchcock's films include film noir, the Western and screwball comedy. This book grew out of a Hitchcock course that Dr. Skerry has taught for fifteen years. He lives with his wife Amy in Beachwood, Ohio.
Bibliographische Angaben
- Autor: Philip J. Skerry
- 2009, 316 Seiten, mit Abbildungen, Maße: 13,7 x 21,3 cm, Kartoniert (TB), Englisch
- Verlag: Continuum
- ISBN-10: 0826427693
- ISBN-13: 9780826427694
Sprache:
Englisch
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"Wearing its scholarship lightly and revealing unashamedly the author's enthusiasm, even affection, for his subject, this book illuminates and refreshes what had risked becoming a stale debate." John Baxter, Film International"
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