Queer Style

Contents Introduction Chapter One: The Meaning of Style Between Classic and Queer Winckelmann and the Suppressed Homoerotism in Modernist style A Selective History of Non-queer, Standard, Straight and Classic dressing Chapter Two: Lesbian Style: From Mannish Women to Lipstick Dykes Mannish Lesbians and Salon Dandies Lesbian Bar Culture of the Forties and Fifties Feminist Androgyny and Anti Style Cross Dressing and Androgynous Style Designer Dykes and Lesbian Chic Chapter Three: Gay Men's Style: From Macaroni to Metrosexual Macaronis and Fops Dandies, Aesthetes, Oscar Wilde, and the Early Days of Queer Style The Artistic Avant-garde and the Years Pending World War II Artistic Bent. Warhol, Glam and Pop Gay Activism, Gay pride, Clowns and Clones Contemporary Queer: Hard to Say Chapter Four: Kiss of the Whip. Bondage, Discipline and Sado-Masochism, or BDSM Style Military Uniforms and the Gestapo Clips, Clamps Leather and Accessories Chapter Five: Drag. Of Kings and Queens Dames, Divas and Queens Drag Balls Kinging and Club Culture Chapter Six: Crossing Genders, Crossing Cultures Japanese Dandy Style Mardi Gras Boys of Singapore Albanian Sworn Virgins Polynesian Gender Crossing The Hijra: An Alternative Gender Role in India Lady Boys and Tom Boys of Thailand Conclusion: Against Justification

Adam Geczy is an artist and writer. He is Senior Lecturer at Sydney College of the Arts, Australia, and author of several books including (with Michael Carter) Reframing Art (Berg, 2005) and Art: Histories, Theories and Exceptions (Berg, 2008), a Choice Outstanding Academic Title, 2009. Vicki Karaminas is Associate Professor of Fashion Studies and Associate Head of the School of Design at the University of Technology, Sydney, Australia. She is the Executive Director and Chair of Fashion for the Popular Culture Association of Australia and New Zealand and the Chair for Subcultural Style and Identity for the Popular Culture and American Culture Associations. She is the editor of The Men's Fashion Reader (Berg, 2009), Fashion in Fiction (Berg, 2009) and The Australasian Journal of Popular Culture.

If clothes make the man (and the woman), how much more do they make the queer man or woman. This insightful book looks at the way fashion has coded same-sex desire, from eighteenth-century macaronis and gentlemen fops to modern leathermen and muscle queens, from mannish Sapphic women to lipstick lesbians. As those with homoerotic orientations constructed their sexualities and identities, the authors reveal, so they dressed themselves for the parts they played. -- Robert Aldrich, Professor of European History, University of Sydney, Australia From Rosa Bonheur and Radclyffe Hall through Bowie and Warhol to Boy George and Leigh Bowery: just a few of the style icons present in this wide-ranging, illuminating and highly readable account of over two centuries of queer performance and posing. -- Nick Rees-Roberts, author of French Queer Cinema, University of Bristol, UK. This book provides a refreshingly engaging and extraordinarily superior standard of scholarship that inquires analytically into complex LGBTQI issues and challenges & complements the works of Bultler, Foucault, Halberstam, Shapiro and others in the field. Their work will contribute to original scholarship on LGBTQI in a number of related ways. This text further gives voice to the many LGBTQI communities of actors and displays a scholarly trajectory that is not only well-grounded but combines the best traditions of theoretical and methodological triangulation. -- Dr. Wesley Crichlow, Associate Professor, Faculty of Social Science and Humanities, University of Ontario Institute of Technology, Canada. This book is impressive in rigor, scope and scholarship. It assembles iconic stylish and fashionable gay, lesbian, transgendered and queer characters such as: dandies and dykes, leather-boys and lipstick lesbians. While, there has been a tremendous amount of writing in queer studies, none has combined it with fashion and style to give us a fresh look at fashion studies. With panache and humor, this