RE-Perspective Deborah Hay
Works from 1968 to the Present
(Sprache: Englisch)
- Comprehensive retrospective of the choreographer's work - A look at previously unpublished archival materials - Book accompanies the Berlin festival Dance in August - Comprehensive retrospective of the choreographer's work - A look at previously...
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- Comprehensive retrospective of the choreographer's work - A look at previously unpublished archival materials - Book accompanies the Berlin festival Dance in August - Comprehensive retrospective of the choreographer's work - A look at previously unpublished archival materials - Book accompanies the Berlin festival Dance in August
Klappentext zu „RE-Perspective Deborah Hay “
What Pina Bausch was to the German dance scene, Deborah Hay is for the American one. Both are counted among the most influential representatives of postmodern dance. As a founding member of the New York-based Judson Dance Theater, a collective of dancers, composers, and visual artists, her approach was to use amateur dancers to create a formal vocabulary of everyday movements, generating new patterns of perception for audience and performer alike. Her choreographic praxis, along with the constant stream of publications about her methods form one of the pillars of the understanding of contemporary dance.The choreographer and renowned dance historian Susan Leigh Foster selected previously unpublished materials from the Deborah Hay Archive, such as dance instructions, drawings, photographs, and correspondence; complemented by Hay's own commentary as well as scientific classifications, this book is a multifaceted overview of her dance oeuvre from the 1960s to the present day.
DEBORAH HAY (*1941) worked with Merce Cunningham and toured the world with the Cunningham Dance Company in 1964. She has written four books describing her own experimental method for her practice of dance and choreography. In 2015 she was awarded the Chevalier des Arts et des Lettres.
FESTIVAL
Tanz im August (Dance in August), Berlin
August 9-31, 2019
DEBORAH HAY (*1941) worked with Merce Cunningham and toured the world with the Cunningham Dance Company in 1964. She has written four books describing her own experimental method for her practice of dance and choreography. In 2015 she was awarded the Chevalier des Arts et des Lettres.
Autoren-Porträt von Susan Leigh Foster, Kirsi Monni
DEBORAH HAY (*1941) arbeitete mit Merce Cunningham zusammen und ging 1964 mit der Cunningham Dance Company auf Welttournee. Ihre eigene experimentelle Methodik für Tanzpraxis und Choreografie schrieb sie in vier Büchern nieder. 2015 erhielt sie für ihre Arbeit die Auszeichnung des »Chevalier des Arts et des Lettre«.DEBORAH HAY (*1941) arbeitete mit Merce Cunningham zusammen und ging 1964 mit der Cunningham Dance Company auf Welttournee. Ihre eigene experimentelle Methodik für Tanzpraxis und Choreografie schrieb sie in vier Büchern nieder. 2015 erhielt sie für ihre Arbeit die Auszeichnung des »Chevalier des Arts et des Lettre«.
Bibliographische Angaben
- Autoren: Susan Leigh Foster , Kirsi Monni
- 2019, 192 Seiten, 70 Abbildungen, Maße: 20 x 26 cm, Kartoniert (TB), Englisch
- Herausgegeben: HAU Hebbel am Ufer, University of the Arts Helsinki, University of the Arts Stockholm
- Verlag: Hatje Cantz Verlag
- ISBN-10: 3775746307
- ISBN-13: 9783775746304
- Erscheinungsdatum: 07.08.2019
Sprache:
Englisch
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