Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell
(Sprache: Englisch)
Through an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U.S., from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton.
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Through an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U.S., from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton.
Inhaltsverzeichnis zu „Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell “
Introduction: Listening to Recorded Poetry PART I: IN THE STUDIO, ON THE STAGE Making Poetry Records, Remaking Poetic Voices: Caedmon and the Library of Congress Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishop PART II: IN FIRST PERSON, IN ANOTHER'S VOICE Authenticity and Audience: Millay, Sexton, and Vocal Connections Impersonations: Poets, Preachers, Teachers, and the Remaking of God's Trombones Afterword: Out of the Audio Archive Appendix A: Learning to Listen: Poetry Recordings in the Classroom Appendix B: Selected List of Modernist Audio Archives
Autoren-Porträt von D. Furr
DEREK FURR is a Faculty Member in the Literature Department at the Master of Arts in Teaching Program at Bard College, USA.
Bibliographische Angaben
- Autor: D. Furr
- 2015, 1st ed. 2010., 198 Seiten, Maße: 21,6 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349288152
- ISBN-13: 9781349288151
Sprache:
Englisch
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