Rose Wylie: Which One

British artist Rose Wylie (b. 1934) paints uniquely recognizable, colorful, and exuberant compositions that at first glance are instantly accessible, not seeming to align with any discernible style or movement, but on closer inspection are revealed to be wittily observed and subtly sophisticated meditations on the nature of visual representation itself. As curator Clarrie Wallis notes, "[Wylie's] large pictures are painted in a kind of visual shorthand that is direct and legible. The ability to elicit a range of responses is made possible precisely because of her reduction of form to an essential vibrancy that incorporates, via the very physicality of her medium, not just what the artist sees but an accompanying multitude of thoughts, feelings, and memories. Wylie's work is a sophisticated transmutation, or sifting of perceptual experience, carrying as it does a wealth of affective and allusive resonances, into the painted form."

Barry Schwabsky is an art critic for The Nation and coeditor of international reviews for Artforum. He has published several books of criticism, among them The Observer Effect: On Contemporary Painting (2019), Landscape Painting Now: From Pop Abstraction to New Romanticism (2019), and The Perpetual Guest: Art in the Unfinished Present (2016). His fourth collection of poetry is Feelings of And (2022). He has taught at Goldsmiths College, Yale University, and the Maryland Institute College of Art, among others, and lives in New York.

Since her MFA from Yale in 1967, Judith Bernstein has developed a reputation as one of the most unwaveringly provocative artists of her generation. For over 50 years, her work has been an autobiographical exploration of the connection between the political and the sexual. Steadfast in her cultural, political and social critique throughout her career, Bernstein surged into art world prominence in the early 1970s with her monumental anti-war and Feminist charcoal drawings of anthropomorphic phallic screws. In