Screening the Face
(Sprache: Englisch)
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
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Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
Inhaltsverzeichnis zu „Screening the Face “
Acknowledgements Introduction Faces and 'Faciality' The Fate of Contemplation: Closeness and Distance Masks and Metaphor: Doubles and Animals Invisibility, Medusa, and the Mask Dissonance and Synthesis: Persona, the Face, the Mask and the Thing Works Cited Index
Autoren-Porträt von P. Coates
PAUL COATES Professor in Film Studies at the University of Western Ontario, Canada. He has taught at McGill and the University of Aberdeen. His publications include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour (2010).
Bibliographische Angaben
- Autor: P. Coates
- 2012, 1st ed., 195 Seiten, Maße: 23,5 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349334650
- ISBN-13: 9781349334650
Sprache:
Englisch
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