Shakespeare and the Materiality of Performance
(Sprache: Englisch)
Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of...
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Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Inhaltsverzeichnis zu „Shakespeare and the Materiality of Performance “
PART I: PERFORMANCE EFFECTS Introduction: Materializing the Immaterial Theorizing Theatrical Privilege: Rethinking Weimann's Concepts of Locus and Platea PART II: THEATRICAL WAYS OF KNOWING Staging Sight: Visual Paradigms and Perceptual Strategies in Love's Labor's Lost Imaginary Forces: Allegory, Mimesis, and Audience Interpretation in The Spanish Tragedy PART III: EXPERIENCING EMBODIED SPECTACLE Dancing and Other Delights: Spectacle and Participation in Doctor Faustus and Macbeth Artful Sport: Violence, Dismemberment, and Games in Titus Andronicus , Cymbeline , and Doctor Faustus
Autoren-Porträt von E. Lin
Erika T. Lin is Associate Professor in the Ph.D. Program in Theatre at the Graduate Center, The City University of New York, USA
Bibliographische Angaben
- Autor: E. Lin
- 2012, 1st ed., 238 Seiten, Maße: 23,5 cm, Kartoniert (TB), Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1349433551
- ISBN-13: 9781349433551
Sprache:
Englisch
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