Shakespeare's Tragedies
Violation and Identity
(Sprache: Englisch)
A study of the linked themes of violation and identity in seven Shakespearean tragedies.
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Produktinformationen zu „Shakespeare's Tragedies “
A study of the linked themes of violation and identity in seven Shakespearean tragedies.
Klappentext zu „Shakespeare's Tragedies “
Shakespeare's Tragedies: Violation and Identity traces the linked themes of violation and identity through seven Shakespearean tragedies. Written in a clear, accessible style, it will appeal not just to specialists but to students and general readers with an interest in Shakespeare.
Inhaltsverzeichnis zu „Shakespeare's Tragedies “
Introduction; 1. Titus Andronicus: This was thy daughter; 2. Romeo and Juliet: what's in a name? 3. Hamlet: a figure like your father; 4. Troilus and Cressida: this is and is not Cressid; 5. Othello: I took you for that cunning whore of Venice; 6. King Lear: we have no such daughter; 7. Macbeth: a deed without a name; Conclusion.
Autoren-Porträt von Alexander Leggatt
Alexander Leggatt is Professor of English at University College, University of Toronto.
Bibliographische Angaben
- Autor: Alexander Leggatt
- 2005, 240 Seiten, Maße: 15,2 x 22,9 cm, Kartoniert (TB), Englisch
- Verlag: Cambridge University Press
- ISBN-10: 0521608635
- ISBN-13: 9780521608633
- Erscheinungsdatum: 30.11.2009
Sprache:
Englisch
Rezension zu „Shakespeare's Tragedies “
'Leggatt proves himself a remarkably sensitive and subtle guide, providing engaging, even surprising comments which provoke the reader to think more carefully about Shakespeare's plays. ... this is a fine book of straightforward criticism. For its clarity alone, it is invaluable to anyone interested in Shakespeare: undergraduates will find it endlessly informative (and what's more, they'll understand it), while established scholars will also discover significant gems.' New Theatre Quarterly 'A deeply imaginative book ... By the time we come to the end of the book we realize how inexhaustibly fruitful his cumulative method is.' Shakespeare Survey 59
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