Stuart Sutcliffe
(Sprache: Englisch)
Catalog of an exhibition held August 21, 2008--January 31, 2009 at the Victoria Gallery & Museum, University of Liverpool.
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Catalog of an exhibition held August 21, 2008--January 31, 2009 at the Victoria Gallery & Museum, University of Liverpool.
Inhaltsverzeichnis zu „Stuart Sutcliffe “
Acknowledgements Stuart Sutcliffe: 1940-1962 - Donald Kuspit Stuart Sutcliffe: Liverpool College of Art, Flats and Friends - Rod Murray Stu - Bill Harry Interview with Astrid Kercherr - Colin Fallows 'A link in something larger' - Bryan Biggs Colour Plates Pop Art: Backbeat and Stuart Sutcliffe - Jon Savage Future Now - Jon Savage Chronology Contributors' Biographies
Autoren-Porträt
Matthew Clough is Director of the Victoria Gallery and Museum at the University of Liverpool. He is responsible for the strategic direction of the recently refurbished Victoria building, the UK's first 'red brick' university building, which houses the University of Liverpool's extensive collections as well as the special exhibitions programme. Colin Fallows is Professor of Sound and Visual Arts at the Liverpool School of Art and Design, Liverpool John Moores University. He has explored crossovers between sound and the visual arts as an artist, researcher, curator, lecturer and he has produced work for live ensemble performance, recordings, exhibition, installation, radio and the Internet. Bryan Biggs MBE has worked in various roles at the Bluecoat, Liverpool, where he is now Artistic Director. He has been closely involved in the arts in Liverpool since he first came to the city in the early 1970s. He wrote the chapter entitled Welcome to the Pleasure Dome in the Tate Liverpool publication accompanying the exhibition Centre of the Creative Universe: Liverpool and the Avant Garde (Liverpool University Press, 2007), looking at art in Liverpool between the arrival of Tate and the first Liverpool Biennial. He has curated many exhibitions, including the 2002 Liverpool Biennial International and Walk On,an exhibition for the 2006 Shanghai Biennale. He has also written about contemporary art and popular music for publications such as Bidoun, Third Text, Strange Things Are Happening - and is an artist in his own right known for his drawings. Matthew Clough is Director of the Victoria Gallery and Museum at the University of Liverpool. He is responsible for the strategic direction of the recently refurbished Victoria building, the UK's first 'red brick' university building, which houses the University of Liverpool's extensive collections as well as the special exhibitions programme. A graduate of Lancaster University and the Courtauld Institute of Art, University of London,he
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joined the University of Liverpool in 1996 and has undertaken a variety of roles within their museum collections.He was appointed Director of Art& Heritage Collections in 2005. His previous curatorial projects include: Crafty Thoughts: Contemporary Sri Lankan Art (2002); Memory and Perception: Tom Palin and Pete Bonnel (2002); Charles John Allen 1862-1956 - Sculptor and Teacher (2003); Peter Corbett - a Retrospective (2004); Earthly Delights: Mary Adshead 1904-1995 (2005); and Tony Phillips - a Retrospective (2006). Colin Fallows is Professor of Sound and Visual Arts at the Liverpool School of Art and Design, Liverpool John Moores University. He has explored crossovers between sound and the visual arts as an artist, researcher, curator, lecturer and he has produced work for live ensemble performance, recordings, exhibition, installation, radio and the Internet. His artistic and curatorial projects have featured in numerous international exhibitions, events and festivals including Video Positive, ISEA98, Intermedia, Ars Electronica, and Futuresonic. He has directed and managed numerous national/international conferences including: ISEA98: Revolution - the ninth International Symposium on Electronic Art (1998); Sciart and Science on Stage and Screen Symposium in partnership with The Wellcome Trust (2002); Art-Place-Technology: International Symposium on Curating New Media Art in collaboration with FACT (Foundation for Art and Creative Technology) and Arts Council England (2006); and The Art School Dance: Art into Pop, Pop into Art in collaboration with Tate (2007). He is the founder and Artistic Director of Audio Research Editions, a limited edition imprint for artists' soundworks, which since 1998 has published over two hundred works by artists from over twenty countries. Bill Harry is an internationally renowned author and cultural commentator on Mersey Beat and the Beatles. He attended the Liverpool College of Art (1956-60) with John Lennon, Rod Murray and Stuart Sutcliffe. He was the creator and editor of Mersey Beat the seminal weekly independent pop newspaper of the early 1960s documenting the Liverpool scene - the first publication to feature the Beatles and the creative writing of John Lennon. From the mid-1960s he worked as a Personal Press Agent representing more than thirty major international artists including: the Beach Boys, David Bowie, the Hollies, the Kinks, Led Zeppelin, Mickie Most, Pink Floyd, and Suzi Quatro. He also managed press campaigns for major record labels including: CBS, Charisma, EMI, Island, Polydor, and Rak. Bill Harry's critically acclaimed books include: Mersey Beat:The Beginnings of The Beatles (1977); Beatlemania (1984); The Best Years of The Beatles (1997); The Beatles Encyclopedia (Revised 2000); The John Lennon Encyclopedia (2000); and The British Invasion (2004). He has appeared on more than 350 television and radio shows in Britain, America, Europe and the Far East, and in 1994 he was presented with a gold award for a Lifetime Achievement in Music by the British Academy of Songwriters,Composers and Authors (BASCA). Astrid Kirchherr is a Hamburg based photographer. Her photographs have been exhibited internationally in cities including: Hamburg, Bremen, Liverpool, London, Vienna, New York, Washington DC, Chicago, Los Angeles, Indianapolis and Tokyo. From 1957 to 1960 she studied photography at the Meisterschule fur Mode, Textil, Graphik und Werbung under ReinhartWolf and from 1959 to 1963 she worked as his personal assistant. Astrid Kirchherr met the Beatles when they made their first visit to Hamburg in 1960 and after becoming close friends with the then unknown group she made a series of classic individual and group photographic studies of them which were re-published in the books Hamburg Days (1999) and When we was Fab (2003). From 1964 Astrid Kirchherr worked as a freelance photographer, and together with Max Scheler she photographed the Beatles during the filming of A Hard Day's Night for Stern magazine. The resulting behind the scenes photographs of the Beatles were re-published in the books Liverpool Days (1994) and Golden Dreams (1996). In 1968 she took the photograph for the inner sleeve of Wonderwall Music by George Harrison. In the 1970s and 1980s photography became less important for Astrid. The movie Backbeat (1994), based on the life and love of Astrid Kirchherr and Stuart Sutcliffe in Hamburg created a new international interest in her historic photographs. Donald Kuspit is an art critic and University Distinguished Professor of Art History and Philosophy at the State University of New York at Stony Brook. He is a contributing editor at Artforum, Sculpture, and Tema Celeste magazines, the editor of Art Criticism, and the editor of a series on American Art and Art Criticism for Cambridge University Press. In 1997 he received the Lifetime Achievement Award for Distinguished Contribution to Visual Arts from the National Association of Schools of Art and Design. He is a 1983 recipient of the College Art Association's prestigious Frank Jewett Mather Award for Distinction in Art Criticism. He has also been awarded fellowships from the Ford Foundation, the Fulbright Commission, the National Endowment for the Humanities, the National Endowment for the Arts, and the Guggenheim Foundation, among others. An author of numerous articles, exhibition reviews, and catalogue essays, Kuspit has written more than twenty books, including: Redeeming Art:Critical Reveries (2000);Idiosyncratic Identities:Artists at the End of the Avant-Garde (1996); The End of Art (2004) and A Critical History of Twentieth Century Art (Artnet ebook). He lives in New York City. Rod Murray is a freelance consultant holographer working from his studio in Lancashire. He studied Fine Art Painting (1956-60) and the Art Teacher's Diploma at the Liverpool College of Art and has lectured at various times in Painting, Sculpture, Ceramics, Kinetics, Electronics and Light Art and Holography. He joined the staff of the Liverpool College of Art in the late 1960s and in 1982 he set up the Holographic Studio, the first in a UK Fine Art department. He became Academic Visitor in the Department of Applied Optics at Imperial College London in 1985-86 and soon after External Examiner for both the MA course and PhD research in Holography at the Royal College of Art. He joined the Royal College of Art staff in 1989, becoming the Course Leader in Holography in 1990 and a Fellow of the Royal College of Art in 1992. He has also been Visiting Professor in Holography at Supelec University Metz France and Braunsweig University Germany. He is a practicing artist holographer who has exhibited internationally. Jon Savage is a leading UK based writer and cultural historian. In 1976, he published a fanzine called London's Outrage and during the following years he has written widely for British and American newspapers and magazines on music, pop culture and social history including: Sounds, the Village Voice, Melody Maker, the Guardian, The Observer, the Face and Mojo. His book England's Dreaming: Sex Pistols and Punk Rock (1993) won the Ralph J. Gleason Book Award in 1993 and is now regarded as the definitive history of the late seventies. He has also published a collection of journalism, Time Travel (1996), and co-edited (with Hanif Kureishi) The Faber Book of Pop (1995). His film and television credits include the BAFTA award-winning documentary The Brian Epstein Story (1998) and Joy Division (2007),a history of group, time and place premiered at the Toronto Film Festival (2007). His most recent book, published to great acclaim, is Teenage: The Creation of Youth 1875-1945 (2007). England's Dreaming:The Jon Savage Archive, the largest single collection of Punk related material in the world, is housed at Liverpool John Moores University. Jon Savage is the chief consultant and research associate on all aspects of the archive.
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Bibliographische Angaben
- 128 Seiten, 32 farbige Abbildungen, 50 Schwarz-Weiß-Abbildungen, Maße: 27,5 x 22,4 cm, Kartoniert (TB), Englisch
- Herausgegeben: Matthew H. Clough, Colin Fallows
- Verlag: Liverpool University Press
- ISBN-10: 1846311764
- ISBN-13: 9781846311765
- Erscheinungsdatum: 01.09.2008
Sprache:
Englisch
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