The First Day of Spring
A Novel
(Sprache: Englisch)
Tense, addictive and powered by an unforgettable narrative voice. - PAULA HAWKINS
"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end." The Washington Post
...
"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end." The Washington Post
...
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Tense, addictive and powered by an unforgettable narrative voice. - PAULA HAWKINS"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end." The Washington Post
Gripping The voices of Chrissie and Julia reside deep in your skull: visceral and wicked, sad and wonderful, all at the same time. The New York Times
Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker s next. Publishers Weekly, STARRED review
So that was all it took, I thought. That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all.
Meet Chrissie...
Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.
Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That s why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.
Nancy Tucker leaves the reader breathless as she inhabits her protagonist with a shocking authenticity that moves the reader from sympathy to humor to horror to heartbreak and back again.
Lese-Probe zu „The First Day of Spring “
ChrissieI killed a little boy today. Held my hands around his throat, felt his blood pump hard against my thumbs. He wriggled and kicked and one of his knees caught me in the belly, a sharp lasso of pain. I roared. I squeezed. Sweat made it slippy between our skins but I didn't let go, pressed and pressed until my nails were white. It was easier than I thought it would be. Didn't take long for him to stop kicking. When his face was the color of milk jelly I sat back on my heels and shook my hands. They had seized up. I put them on my own neck, above the place where the twin doorknob bones stuck out. Blood pumped hard against my thumbs. I am here, I am here, I am here.
I went to knock for Linda afterward, because it was hours before tea. We walked to the top of the hill and turned ourselves upside down against the handstand wall, gritting our palms with smoke ends and sparkles of glass. Our dresses fell over our faces. The wind blew cool on our legs. A woman ran past us, Donna's mammy, ran past with her fat breasts bumping up and down. Linda pushed herself off the wall to stand beside me, and we watched Donna's mammy run down the street together. She was making noises that sounded like cat howls. They ripped up the quiet of the afternoon.
"What's she crying for?" asked Linda.
"Don't know," I said. I knew.
Donna's mammy disappeared round the corner at the end of the street and we heard faraway gasps. When she came back there was a lump of mammies around her, all of them hurrying, brown shoes slapping the road in a thrum-thrum-thrum beat. Michael was with them but he couldn't keep up. By the time they passed us he was hanging a long way behind, panting in a crackling shudder, and his mammy tugged his hand and he fell. We saw the raspberry-ripple splash of blood, heard the yowl slice through the air. His mammy hauled him up and clamped him on her hip. She kept on running, running, running.
... mehr
When the mammies were just past us, so we were looking at a herd of cardigan backs and wide, jiggling bottoms, I pulled Linda's arm and we followed. At the end of the road we saw Richard coming out of the shop with a toffee chew in one hand and Paula in the other. He saw us running with the mammies and he followed. Paula didn't like Richard pulling her, started grizzling, so Linda picked her up and clutched her round the middle. Her legs were striped where her fat folded in on itself. They hung out of a swollen nappy that dropped lower and lower with every step.
We heard the crowd before we saw it: a rumbling blanket of sighs and swears, wrinkled by women crying. Girls crying. Babies crying. Round the corner and there it was, a cloud of people standing around the blue house. Linda wasn't next to me anymore because Paula's nappy had fallen off at the end of Copley Street and she had stopped to try to put it back on her. I didn't wait. I ran forward, away from the lump of twittering mammies, into the cloud. When I got to the middle I had to squat down small and wind between the hot bodies, and when there were no more bodies to wind through I saw it. The great big man standing in the doorway, the little dead boy in his arms.
A noise came from the back of the crowd and I looked on the ground for a fox, because it was the noise a fox makes when a thorn gets stuck in its paw, the noise of something's insides coming out through its mouth. Then the cloud was breaking, disintegrating, people falling into one another. I got pushed over, and I watched through legs as Steven's mammy went to the man at the door. Her insides were coming out of her mouth in a howl. She took Steven from him and the howl turned to words: "My boy, my boy, my boy." Then she sat down on the ground, not caring that her skirt was around her middle and everyone could see her underpants. Steven was clutched against her, and I thought how it was a good job he was dead already, because if he hadn't already been dead he would have
When the mammies were just past us, so we were looking at a herd of cardigan backs and wide, jiggling bottoms, I pulled Linda's arm and we followed. At the end of the road we saw Richard coming out of the shop with a toffee chew in one hand and Paula in the other. He saw us running with the mammies and he followed. Paula didn't like Richard pulling her, started grizzling, so Linda picked her up and clutched her round the middle. Her legs were striped where her fat folded in on itself. They hung out of a swollen nappy that dropped lower and lower with every step.
We heard the crowd before we saw it: a rumbling blanket of sighs and swears, wrinkled by women crying. Girls crying. Babies crying. Round the corner and there it was, a cloud of people standing around the blue house. Linda wasn't next to me anymore because Paula's nappy had fallen off at the end of Copley Street and she had stopped to try to put it back on her. I didn't wait. I ran forward, away from the lump of twittering mammies, into the cloud. When I got to the middle I had to squat down small and wind between the hot bodies, and when there were no more bodies to wind through I saw it. The great big man standing in the doorway, the little dead boy in his arms.
A noise came from the back of the crowd and I looked on the ground for a fox, because it was the noise a fox makes when a thorn gets stuck in its paw, the noise of something's insides coming out through its mouth. Then the cloud was breaking, disintegrating, people falling into one another. I got pushed over, and I watched through legs as Steven's mammy went to the man at the door. Her insides were coming out of her mouth in a howl. She took Steven from him and the howl turned to words: "My boy, my boy, my boy." Then she sat down on the ground, not caring that her skirt was around her middle and everyone could see her underpants. Steven was clutched against her, and I thought how it was a good job he was dead already, because if he hadn't already been dead he would have
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Autoren-Porträt von Nancy Tucker
Nancy Tucker studied psychology at the University of Oxford. This is her first work of fiction.
Bibliographische Angaben
- Autor: Nancy Tucker
- 2021, 352 Seiten, Maße: 15,1 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: Riverhead Books
- ISBN-10: 0593419081
- ISBN-13: 9780593419083
- Erscheinungsdatum: 17.07.2021
Sprache:
Englisch
Pressezitat
Praise for The First Day of Spring:Gripping, unsettling debut novel. . .Chrissie s observations are immaculate, loyal to her age and her desperation By the end of the novel, the voices of Chrissie and Julia reside deep in your skull: visceral and wicked, sad and wonderful, all at the same time. The New York Times Book Review
"A stunning debut...Suspenseful? You bet. Heart-rending? From beginning to end." The Washington Post
Too original to be missed. PopSugar
Stylish, cunning thriller Tucker follows one woman s reckoning with the quarantines of her childhood, seeking love amid dark secrets hiding in the nooks and crannies of all our lives. OprahDaily, Best Books of May
A spectacular fiction debut The taut, meticulously observed narration, which alternates between Chrissie s youthful and adult perspectives, mines the dangers that childhood trauma causes both its victims and those around them. Fans of Lisa Jewell and smart psychological suspense will eagerly await Tucker s next. Publishers Weekly, STARRED review
This sharp-edged and highly discussable book is difficult to put down. Booklist
Riveting a chilling suspense novel about guilt, responsibility, and redemption. Kirkus
An exceptional debut which both chilled and moved me from the very first page. I cannot overstate how much I loved this book. Clare Mackintosh, New York Times bestselling author of I Let You Go
A darkly dazzling debut, a harrowing story of neglect and cruelty written with a delicate touch and a big heart. As gripping as the tensest of thrillers and as moving and humane as the most intimate of memoirs, I loved this book. Lisa Jewell, New York Times bestselling author of The Family Upstairs
"Tense, addictive and powered by an unforgettable narrative voice, The First Day of Spring gives us not just a window into the confused psychology of a child
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driven to violence, but a thoughtful consideration of the redemptive power of love and friendship." Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train
The First Day Of Spring is a gut-wrenching tale about the effects of neglect and loneliness on a child. Eight-year-old Chrissie s voice is so raw and authentic that I could not stop turning the pages, desperate to find out what she would do next. A harrowing, incisive debut. Stephanie Wrobel, author of Darling Rose Gold
Nancy Tucker has created one of the most unforgettable characters I ve ever read with a remarkable voice that is both piercing and poetic. The contrast between innocence and evil is breathtaking I found myself aching for Chrissie/Julia as she learns to survive as a daughter and then mother in a world that has failed her. Chilling, thought-provoking, and compulsively readable, The First Day of Spring is a novel that will break your heart on every page and never leave you. I loved it. Ashley Audrain, author of The Push
The First Day Of Spring is a gut-wrenching tale about the effects of neglect and loneliness on a child. Eight-year-old Chrissie s voice is so raw and authentic that I could not stop turning the pages, desperate to find out what she would do next. A harrowing, incisive debut. Stephanie Wrobel, author of Darling Rose Gold
Nancy Tucker has created one of the most unforgettable characters I ve ever read with a remarkable voice that is both piercing and poetic. The contrast between innocence and evil is breathtaking I found myself aching for Chrissie/Julia as she learns to survive as a daughter and then mother in a world that has failed her. Chilling, thought-provoking, and compulsively readable, The First Day of Spring is a novel that will break your heart on every page and never leave you. I loved it. Ashley Audrain, author of The Push
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