The Global Contemporary and the Rise of New Art Worlds
(Sprache: Englisch)
The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself...
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The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art¿s new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years.
Autoren-Porträt
Hans Belting has been Professor of Art History at the universities of Heidelberg and Munich and has taught at Harvard, Columbia, Northwestern, and the École des Hautes Études in Paris. He is a cofounder of the Karlsruhe University for Arts and Design (Hochschule für Gestaltung). Andrea Buddensieg is Curator and Project Manager of ZKM¿s GAM (Global Art and the Museum) project, from which the research for this publication emerged. Peter Weibel is Chairman and CEO of the ZKM | Center for Art and Media, Karlsruhe. He coedited Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973¿1990, Paul Thek: Artist¿s Artist, and other ZKM books copublished by the MIT Press.
Bibliographische Angaben
- Altersempfehlung: Ab 18 Jahre
- 464 Seiten, 400 Abbildungen, Maße: 21,5 x 27,9 cm, Kartoniert (TB), Englisch
- Herausgegeben: Hans Belting, Andrea Buddensieg, Peter Weibel
- Verlag: MIT PR
- ISBN-10: 0262518341
- ISBN-13: 9780262518345
- Erscheinungsdatum: 08.03.2013
Sprache:
Englisch
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