The Iconography of Visual Culture and Pedagogical Approaches to Seeing
Illustrated Prints Pertaining to Religious Issues in Early Modern England
(Sprache: Englisch)
The Iconography of Visual Culture examines the imagery of woodcuts and engravings in the early modern period revealing that there was a distinctive iconographical scheme that developed in English visual culture in response to Post-Reformation Protestantism....
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The Iconography of Visual Culture examines the imagery of woodcuts and engravings in the early modern period revealing that there was a distinctive iconographical scheme that developed in English visual culture in response to Post-Reformation Protestantism. The need to make a distinction between the "true" religion of Protestantism and the "false" religion of England's past heritage was essential in establishing a new faith which would eventually impact upon all levels of society. Visual expressions of piety, salvation, sin, martyrdom and anti-Catholicism supported and enhanced the textual and verbal polemical messages of Calvinism. The study adopts a multi-disciplinary approach drawing upon the disciplines of history, art history and education, including a discussion of pedagogical approaches to using the imagery in secondary school history classrooms.
Bibliographische Angaben
- Autor: Barbara Ormond
- 2009, 184 Seiten, Maße: 15 x 22 cm, Kartoniert (TB), Englisch
- Verlag: LAP Lambert Academic Publishing
- ISBN-10: 3838306244
- ISBN-13: 9783838306247
Sprache:
Englisch
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