The Language of Film
(Sprache: Englisch)
Beautifully illustrated with stills from feature films and short films, The Language of Film explores the means by which film communicates meaning to its audience.
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Beautifully illustrated with stills from feature films and short films, The Language of Film explores the means by which film communicates meaning to its audience.
Klappentext zu „The Language of Film “
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen.Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image.
With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.
Inhaltsverzeichnis zu „The Language of Film “
IntroductionChapter 1: Semiotics: Images; The Visual Mind; Reading the Signs; Making Meaning; Codes and Filters; Case Study: Seven; Chapter Summary
Chapter 2: Narrative: Theories of Storytelling; Structuralism; Theories of Structure; Genette's Narrative; Discourse; Music; Short Film and Narrative; Case Study: The Secret Life of Walter Mitty; Chapter Summary
Chapter 3: Intertextuality: Text; Quotation; Allusion; Cult Film; Genre; Case Study: Citizen Kane; Chapter Summary
Chapter 4: Ideology: Ideological Analysis; Realism; Ideology and Genre; Case Study: Dead Man's Shoes; Chapter Summary
Chapter 5: Frames and Images: The Shot; Distance, Height and Framing; Shot Distances; Mise en Scène; The Mobile Camera Frame; Time and the Long Take; Case Study: Hero; Chapter Summary
Chapter 6: Sound: Film: An Audiovisual Medium; Sound Properties; Diegetic and Non-diegetic Sound; Offscreen Space and Audio; The Voice; Music; Case Study: Berberian Sound Studio; Chapter Summary
Chapter 7: Constructing Meaning: Continuity Editing; Discontinuity Editing; Montage; Pacing; Case Study: Psycho; Chapter Summary
Conclusion; Film Language Glossary; Index; Acknowledgements and Credits
Bibliographische Angaben
- Autoren: Robert Edgar , John Marland , Steven Rawle
- 2015, 2. Aufl., 216 Seiten, 75 farbige Abbildungen, Kartoniert (TB), Englisch
- Verlag: Bloomsbury Academic
- ISBN-10: 1472575245
- ISBN-13: 9781472575241
Sprache:
Englisch
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