The Oxford Handbook of Global Modernisms

Introduction; Mark Wollaeger; Part I : Opening Places, Opening Methods; 1. The Balkans Uncovered: Towards Historie Croisee of Modernism; Sanja Bahun; 2 . Caribbean Modernism: Plantation to Planetary; Mary Lou Emery; Part II : Temporality; 3. Berber Poetry and the Issue of Derivation: Alternate Symbolist; Trajectories; Edwige Tamalet Talbayev; 4. The Temporalities of Modernity in Spanish American Modernismo :; Dario's Bourgeois King; Gerard Aching; 5. Nation Time: Richard Wright, Black Power, and Photographic; Modernism; Sara Blair; 6. Chinese Modernism, Mimetic Desire, and European Time; Eric Hayot; Part III : Whose Modernism?; 7. The Will to Allegory and the Origin of Chinese Modernism:; Rereading Lu Xun's Ah Q-Th e Real Story; Xudong Zhang; 8. Neither Mirror nor Mimic: Transnational Reading and Indian; Narratives in English; Jessica Berman; 9. Modernism and African Literature; Neil Lazarus; Part IV: Forms and Modes; 10. Petro-Magic Realism: Ben Okri's Infl ationary Modernism; Sarah L. Lincoln; 11. Little Magazines, World Form; Eric Bulson; 12. Poetry, Modernity, Globalization; Jahan Ramazani; Part V: Comparative Avant-Gardes; 13. Futurist Geographies: Uneven Modernities and the Struggle for; Aesthetic Autonomy: Paris, Italy, Russia, 1909-1914; Harsha Ram; 14. Modernity's Labors in Latin America: Th e Cultural Work of Cuba's; Avant-Gardes; Vicky Unruh; 15. Queer Internationalism and Modern Vietnamese Aesthetics; Ben Tran; Part VI: Forms of Sociality; 16. Cosmopolitanism and Modernism; Janet Lyon; 17. Jean Rhys: Left Bank Modernist as Postcolonial Intellectual; Peter Kalliney; 18. The Urban Literary Cafe and the Geography of Hebrew and Yiddish; Modernism in Europe; Shachar Pinsker; Part VII : Locating the Transnational; 19. Th e Circulation of Interwar Anglophone and Hispanic; Modernisms; Gayle Rogers; 20. Scandinavian Modernism: Stories of the Transnational; and the Discontinuous; Anna Westerstahl Stenport; 21. World Modernisms, World Literature, and Comparativity;

Mark Wollaeger is Professor of English at Vanderbilt University. He is the author of Joseph Conrad and the Fictions of Skepticism (1990) and Modernism, Media, and Propaganda: British Narrative from 1900 to 1945. Matt Eatough is Assistant Professor of English at Baruch College, City University of New York.