The Revenger's Tragedy
(Sprache: Englisch)
The Revenger's Tragedy is a famous Elizabethan tragedy set in a dissolute Renaissance court in Italy, a maelstrom of vice and intrigue. In this new edition, students will find a wealth of information to support their studies: an extended introduction and...
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Produktinformationen zu „The Revenger's Tragedy “
The Revenger's Tragedy is a famous Elizabethan tragedy set in a dissolute Renaissance court in Italy, a maelstrom of vice and intrigue. In this new edition, students will find a wealth of information to support their studies: an extended introduction and numerous notes and explanations throughout.
The Revenger's Tragedy is a famous Elizabethan tragedy set in a dissolute Renaissance court in Italy, a maelstrom of vice and intrigue. In this new edition, students will find a wealth of information to support their studies: an extended introduction and numerous notes and explanations throughout.
The Revenger's Tragedy is a famous Elizabethan tragedy set in a dissolute Renaissance court in Italy, a maelstrom of vice and intrigue. In this new edition, students will find a wealth of information to support their studies: an extended introduction and numerous notes and explanations throughout.
Klappentext zu „The Revenger's Tragedy “
"Oh do not jest thy doom"The Revenger's Tragedy is an intense tragic burlesque. Its hero, Vindice, desires to avenge the death of his betrothed. Operating in disguises he provokes discord among his enemies so that they plot against each other. It is an anonymous masterpiece (the play was entered in the Stationer's Register on 7th October 1607 without an author being named) produced at a crucial phase in Jacobean theatre with Hamlet, The Malcontent, Measure for Measure, Volpone and King Lear all recently performed. Written with vivid imagery, the play contains energetic, high-spirited action and brooding, slow-paced scenes on the subjects of death, revenge and evil, culminating in an unexpected ironic climax. This new student edition contains a completely re-edited text of the play and a new Introduction examining this unique combination of poetic tragedy, macabre farce and satire, focused on the dark brilliance of the hero Vindice. It also views the play in wider contexts - of contemporary attitudes to women, as well as contemporary debates concerning rebellion against tyranny.
Autoren-Porträt von Brian Gibbons
Brian Gibbons is a distinguished scholar and editor of Shakespeare and other early modern dramatists. He is the author of many critical studies and a General Editor of the New Mermaids and the New Cambridge Shakespeare series.
Bibliographische Angaben
- Autor: Brian Gibbons
- 2008, NED., 176 Seiten, Maße: 12,7 x 19,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: Brian Gibbons
- Verlag: Bloomsbury Specialist
- ISBN-10: 0713682841
- ISBN-13: 9780713682847
Sprache:
Englisch
Rezension zu „The Revenger's Tragedy “
"How well our barbarous and sex-crazed times relate to the horrors and refined cruelties of Thomas Middleton's extraordinary Jacobean masterpiece...A drama that makes grim, poetic fun of lust-filled aristocrats and lesser folk up to plenty of bad, some of them steaming hot for sex, adultery, murder and revenge." Nicholas de Jongh, Evening Standard, 05.06.08 "There's a sardonic and even sadistic glee in his poetry and...a lot of dark, dangerous laughter to be found in the play." Benedict Nightingale, The Times, 06.06.08 "Middleton certainly had a sardonic eye for twisted and compromised morals...His poetry is a vibrant mix of the ornate and the blunt. His so-called tragedy boldly veers into morbid farce, sparking explosive laughter." Kate Bassett, Independent on Sunday, 08.06.08 "The Elizabethan and Jacobean revenge tragedies had more nasty killings and a higher body count than almost anything written by today's young pretenders, as well as a similarly steamy interest in perverse sex, too." Charles Spencer, Daily Telegraph, 06.06.08 "[Middleton] is black-blooded, foul-mouthed, casual, uncaring - a pioneer of our common tongue, Ossuary English." Ian Shuttleworth, Financial Times, 10.06.08
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