The Science of Art
Optical Themes in Western Art from Brunelleschi to Seurat
(Sprache: Englisch)
For almost five hundred years the central goal of European painting was the imitation of nature. Many artist and theorists, believing that imitation must be based on scientific principles, found inspiration or guidance in two branches of optics--the...
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For almost five hundred years the central goal of European painting was the imitation of nature. Many artist and theorists, believing that imitation must be based on scientific principles, found inspiration or guidance in two branches of optics--the geometrical science of perspective and the physical science of colour. In this pathbreaking and highly illustrated book Martin Kemp examines the major optically orientated examples of artistic theory and practice from the Renaissance to the nineteenth century.
Inhaltsverzeichnis zu „The Science of Art “
Part 1 Lines of sight: perspective 1 - from Brunelleschi to Leonardo; perspective 2 - from Durer to Galileo; perspective 3 - from Rubens to Turner. Part 2 Machine and mind: machines and marvels; seeing, knowing, and reating. Part 3 The colour of light: the Aristotelian legacy; Newton and after.
Bibliographische Angaben
- Autor: Martin Kemp
- 16 farbige Abbildungen, Maße: 25,8 x 28,7 cm, Kartoniert (TB), Englisch
- Verlag: Yale University Press
- ISBN-10: 0300052413
- ISBN-13: 9780300052411
Sprache:
Englisch
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