The Signature of All Things
(Sprache: Englisch)
Set in the Philadelphia in the early 1800s, Signature of All Things tells the story of Alma Whittaker. Alma is a curious young scientist interested in botany and she falls for a mysterious painter. Their mutual quest for knowledge takes the reader across...
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Set in the Philadelphia in the early 1800s, Signature of All Things tells the story of Alma Whittaker. Alma is a curious young scientist interested in botany and she falls for a mysterious painter. Their mutual quest for knowledge takes the reader across the world from London to Peru to Tahiti and beyond.
Klappentext zu „The Signature of All Things “
Set in the Philadelphia in the early 1800's, SIGNATURE OF ALL THINGS tells the story of Alma Whittaker. Alma is a curious young scientist interested in botany and she falls for a mysterious painter. Their mutual quest for knowledge takes the reader across the world from London to Peru to Tahiti and beyond.
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PrologueAlma Whittaker, born with the century, slid into our world on the fifth of January, 1800.
Swiftly-nearly immediately-opinions began to form around her.
Alma's mother, upon viewing the infant for the first time, felt quite satis fied with the outcome. Beatrix Whittaker had suffered poor luck thus far generating an heir. Her first three attempts at conception had vanished in sad rivulets before they'd ever quickened. Her most recent attempt-a per fectly formed son-had come right to the brink of life, but had then changed his mind about it on the very morning he was meant to be born, and arrived already departed. After such losses, any child who survives is a satisfactory child.
Holding her robust infant, Beatrix murmured a prayer in her native Dutch. She prayed that her daughter would grow up to be healthy and sen sible and intelligent, and would never form associations with overly pow dered girls, or laugh at vulgar stories, or sit at gaming tables with careless men, or read French novels, or behave in a manner suited only to a savage Indian, or in any way whatsoever become the worst sort of discredit to a good family; namely, that she not grow up to be een onnozelaar, a simpleton. Thus concluded her blessing-or what constitutes a blessing, from so aus tere a woman as Beatrix Whittaker.
The midwife, a German-born local woman, was of the opinion that this had been a decent birth in a decent house, and thus Alma Whittaker was a decent baby. The bedroom had been warm, soup and beer had been freely offered, and the mother had been stalwart-just as one would expect from the Dutch. Moreover, the midwife knew that she would be paid, and paid handsomely. Any baby who brings money is an acceptable baby. Therefore, the midwife offered a blessing to Alma as well, although without excessive passion.
Hanneke de Groot, the head housekeeper of the estate, was less im pressed. The baby was neither a boy nor was it pretty. It had a face like a bowl of
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porridge, and was pale as a painted floor. Like all children, it would bring work. Like all work, it would probably fall on her shoulders. But she blessed the child anyway, because the blessing of a new baby is a respon sibility, and Hanneke de Groot always met her responsibilities. Hanneke paid off the midwife and changed the bedsheets. She was helped in her ef forts, although not ably, by a young maid-a talkative country girl and re cent addition to the household-who was more interested in looking at the baby than in tidying up the bedroom. The maid's name does not bear re cording here, because Hanneke de Groot would dismiss the girl as useless the next day, and send her off without references. Nonetheless, for that one night, the useless and doomed maid fussed over the new baby, and longed for a baby herself, and imparted a rather sweet and sincere blessing upon young Alma.
Dick Yancey-a tall, intimidating Yorkshireman, who worked for the gentleman of the house as the iron-handed enforcer of all his international trade concerns (and who happened to be residing at the estate that January, waiting for the Philadelphia ports to thaw so he could proceed on to the Dutch East Indies)-had few words to say about the new infant. To be fair, he was not much given to excessive conversation under any circumstances. When told that Mrs. Whittaker had given birth to a healthy baby girl, Mr. Yancey merely frowned and pronounced, with characteristic economy of speech, "Hard trade, living." Was that a blessing? Difficult to say. Let us give him the benefit of the doubt and take it as one. Surely he did not intend it as a curse.
As for Alma's father-Henry Whittaker, the gentleman of the estate-he was pleased with his child. Most pleased. He did not mind that the infant was not a boy, nor that it was not pretty. He did not bless Alma, but only because he was not the blessing type. ("God's business is none of my business," he frequently said.
Dick Yancey-a tall, intimidating Yorkshireman, who worked for the gentleman of the house as the iron-handed enforcer of all his international trade concerns (and who happened to be residing at the estate that January, waiting for the Philadelphia ports to thaw so he could proceed on to the Dutch East Indies)-had few words to say about the new infant. To be fair, he was not much given to excessive conversation under any circumstances. When told that Mrs. Whittaker had given birth to a healthy baby girl, Mr. Yancey merely frowned and pronounced, with characteristic economy of speech, "Hard trade, living." Was that a blessing? Difficult to say. Let us give him the benefit of the doubt and take it as one. Surely he did not intend it as a curse.
As for Alma's father-Henry Whittaker, the gentleman of the estate-he was pleased with his child. Most pleased. He did not mind that the infant was not a boy, nor that it was not pretty. He did not bless Alma, but only because he was not the blessing type. ("God's business is none of my business," he frequently said.
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Autoren-Porträt von Elizabeth Gilbert
Elizabeth Gilbert is the #1 New York Times bestselling author of Eat Pray Love, Big Magic, and several other internationally bestselling books of fiction and nonfiction. She began her career writing for Harper's Bazaar, Spin, The New York Times Magazine and GQ, and was a three-time finalist for the National Magazine Award. Her story collection Pilgrims was a finalist for the PEN/Hemingway award;The Last American Man was a finalist for both the National Book Award and the National Book Critics Circle Award. The follow-up memoir Committed became an instant #1 New York Times bestseller. Her latest novel, The Signature of All Things, was named a Best Book of 2013 by The New York Times, O Magazine, The Washington Post, The Chicago Tribune, and The New Yorker. Gilbert's short fiction has appeared in Esquire, Story, One Story, and the Paris Review.
Bibliographische Angaben
- Autor: Elizabeth Gilbert
- 2013, 501 Seiten, Maße: 15,4 x 22,8 cm, Kartoniert (TB), Englisch
- Verlag: Viking Adult
- ISBN-10: 0670015857
- ISBN-13: 9780670015856
Sprache:
Englisch
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