The Vagina: A Literary and Cultural History
A Literary and Cultural History
(Sprache: Englisch)
"The broadest survey yet ...lively, thought-provoking, and richly researched." Naomi Wolf, author of Vagina: A New Biography
Examines the paradox and taboos of female genitalia through literature and culture.
Examines the paradox and taboos of female genitalia through literature and culture.
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Produktinformationen zu „The Vagina: A Literary and Cultural History “
"The broadest survey yet ...lively, thought-provoking, and richly researched." Naomi Wolf, author of Vagina: A New Biography
Examines the paradox and taboos of female genitalia through literature and culture.
Examines the paradox and taboos of female genitalia through literature and culture.
Klappentext zu „The Vagina: A Literary and Cultural History “
From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the 'c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly 'covert visibility'.In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art.
There is a peculiar paradox - unlike any other - regarding female genitalia. Rees focuses on this paradox of what is termed the 'covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't 'look' at the vagina itself - slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity
Inhaltsverzeichnis zu „The Vagina: A Literary and Cultural History “
1. Revealing the Vagina: Introduction2. Revealing the Vagina: Antecedents
3.Revealing the Vagina in Literature
4. Revealing the Vagina in Visual Art (1): Judy Chicago
5. Revealing the Vagina in Visual Art (2): Birth's Wide Berth
6. Revealing the Vagina on Film and TV
7. Revealing the Vagina in Performance Art
8. Revealing the Vagina: Conclusion
Revealing the Vagina: Bibliography
Index
Autoren-Porträt von Emma L. E. Rees
Emma L.E. Rees is Senior Lecturer in the Department of English at the University of Chester, UK.
Bibliographische Angaben
- Autor: Emma L. E. Rees
- 2013, 368 Seiten, 14 farbige Abbildungen, mit Schwarz-Weiß-Abbildungen, 12 Abbildungen, Maße: 15,9 x 24,1 cm, Gebunden, Englisch
- Verlag: Bloomsbury Academic
- ISBN-10: 1623568714
- ISBN-13: 9781623568719
- Erscheinungsdatum: 01.08.2013
Sprache:
Englisch
Rezension zu „The Vagina: A Literary and Cultural History “
The broadest survey yet ...lively, thought-provoking, and richly researched. Naomi Wolf, author of Vagina: A New Biography At last! A book on the vagina that I feel privileged to endorse. This careful literary and cultural history explores the vagina primarily as a loaded cultural symbol. It critiques the numerous ways in which the female sexual organs have had deleterious meanings projected onto them by patriarchal society. A magnificent achievement, Rees's study is as insightful in its analysis as it is comprehensive in its historical coverage. Lisa Downing, Professor of French Discourses of Sexuality, University of Birmingham, UK. This really wonderful book on the cultural history of the vagina is scholarly and accessible, entertaining and serious. It is stylish and packed with insight; it will be seized upon and devoured by the new feminists. The Vagina bejazzles. I highly recommend it. Sally R Munt, Professor of Cultural and Gender Studies, University of Sussex "With Vagina, Rees is aiming for something well beyond 'feminism.' To get there, she uses humor, numerous examples, and careful explanation as she moves effortlessly through a variety of historical periods and a wide genre of 'art' to demonstrate her point." -- Judy A. Hayden, Professor of English and Writing and Director of the Women's Studies Program, University of Tampa, USA. Analyses of representations of the vagina in art and culture couple with feminist politics in this impassioned tract by University of Chester lecturer Rees. Publisher's Weekly Rees' book is the kind of work we need more of if we are to challenge and reconfigure how we understand women and sexuality in contemporary discourse. -- Shahidha Bari, Queen Mary, University of London, UK Times Higher Education 20130815 For readers disappointed by Naomi Wolf's treatise on a similar topic last year, this is the book you've been waiting for... This may not be the definitive text on the vagina - Rees is clear that she can't overturn centuries
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of embarrassment and taboo in a single book - but it's an excellent place to start. -- Kaite Welsh The Independent on Sunday 20130825 It is my contention that you will know quite instinctively if you are the target reader for a book describing itself as a literary and cultural history of vaginas. (Vaginae? Vaginodes?) How does this description of Judy Chicago's art make you feel? "Each plate, a vulvar motif at its centre, represents a woman's yearning for autonomy and recognition away from patriarchy's eradications and constraints." If you found that intriguing, rather than snigger-worthy or arcanely academic, you will enjoy what's on offer here. There is a learned digression on other words for vagina...and a survey of depictions of female genitalia in folk tales, film, literature, art and television... The examples are well chosen and engaging. -- Helen Lewis New Statesman 20130828
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