Three-Martini Lunch
A novel
(Sprache: Englisch)
From the author of the thrilling (The Christian Science Monitor) novel The Other Typist comes an evocative, multilayered story of ambition, success, and secrecy in 1950s New York.
In 1958, Greenwich Village buzzes with beatniks, jazz...
In 1958, Greenwich Village buzzes with beatniks, jazz...
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From the author of the thrilling (The Christian Science Monitor) novel The Other Typist comes an evocative, multilayered story of ambition, success, and secrecy in 1950s New York.In 1958, Greenwich Village buzzes with beatniks, jazz clubs, and new ideas the ideal spot for three ambitious young people to meet. Cliff Nelson, the son of a successful book editor, is convinced he s the next Kerouac, if only his father would notice. Eden Katz dreams of being an editor but is shocked when she encounters roadblocks to that ambition. And Miles Tillman, a talented black writer from Harlem, seeks to learn the truth about his father s past, finding love in the process. Though different from one another, all three share a common goal: to succeed in the competitive and uncompromising world of book publishing. As they reach for what they want, they come to understand what they must sacrifice, conceal, and betray to achieve their goals, learning they must live with the consequences of their choices. In Three-Martini Lunch, Suzanne Rindell has written both a page-turning morality tale and a captivating look at a stylish, demanding era and a world steeped in tradition that s poised for great upheaval.
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***This excerpt is from an advance uncorrected proof***Copyright © 2016 Suzanne Rindell
Cliff
1
Greenwich Village in 58 was a madman s paradise. In those days a bunch of us went aroundtogether drinking too much coffee and smoking too much cannabis and talking allthe time about poetry and Nietzsche and bebop. I had been running around with the same guys I knew from Columbia giveor take a colored jazz musician here or a benny addict there and together wewould get good and stoned and ride the subway down to Washington Square. I guess you could say I liked my Columbiabuddies all right. They were swellenough guys but when you really got down to it they were a pack of poserwannabe-poets in tweed and I knew it was only a matter of time before I outgrewthem. Their fathers were bankers andlawyers and once their fascination with poetic manifestos wore off they wouldsettle down and become bankers and lawyers, too, and marry a nicedebutante. I was different from theseguys because even before I went to college I knew I was meant to be an artist,even if I didn t know just yet exactly what form I wanted my creativity totake. As far as I was concerned academiawas for the birds anyhow, and the more I spent time below 14thStreet, the more I realized that the Village was my true education.
When I finally threw in the towel and dropped my last classat Columbia, My Old Man came poking around my apartment in MorningsideHeights. He ahemmed quietly to himself and fingered the waxy leaves of theplants in the window and finally sat with his rump covering a water-stain on ahand-me-down Louis XVI sofa my great-aunt had deemed too ugly to keep in herown apartment. Together we drank acouple of fingers of bourbon neat, and then he shook my hand in a dignified wayand informed me the best lesson he could teach me at this point in my life was self-reliance. His plan mainly involved
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cutting me off fromthe family fortune and making long speeches on the superior quality of earned pleasures.
Once My Old Man broke the news about how I was going tohave to pave my own road it was all over pretty quickly after that. I threw a couple of loud parties and didn tpay my rent and then the landlord had me out lickety-split and I had to golooking for a new place.
Which is how, as I entered into mystudy of the relative value of earned pleasures, I found myself renting aone-room studio in the Village with no hot water and a toilet down thehall. The lid was missing on the tank ofthat toilet and I remember the worst thing I ever did to my fellow hall-mateswas to get sick after coming home drunk one night and mistake the open tank forthe open bowl. But even without mywhiskey-induced embellishments the building was a dump. It was a pretty crummy apartment and when itrained the paint on the walls bubbled something awful, but I liked being nearthe basement cafés where people were passionate about trying out new thingswith the spoken word, which was still pretty exciting to me at the time. In those days you could walk the streets allaround Washington Square and plunge down a narrow stairway here and there tofind a room painted all black with red light bulbs screwed into the fixturesand there d be someone standing in front of a crowd telling America to go tohell or maybe acting out the birth of a sacred cow in India. It was all kind of bananas and you were neversure what you were going to see, but after a while you started to come acrossthe same people mostly.
I had seen Miles, Swish, Bobby, and Pal around theVillage, of course, and they had seen me, too. We were friendly enough with one another, all of us being artytypes. I knew their faces and I knewtheir nam
Once My Old Man broke the news about how I was going tohave to pave my own road it was all over pretty quickly after that. I threw a couple of loud parties and didn tpay my rent and then the landlord had me out lickety-split and I had to golooking for a new place.
Which is how, as I entered into mystudy of the relative value of earned pleasures, I found myself renting aone-room studio in the Village with no hot water and a toilet down thehall. The lid was missing on the tank ofthat toilet and I remember the worst thing I ever did to my fellow hall-mateswas to get sick after coming home drunk one night and mistake the open tank forthe open bowl. But even without mywhiskey-induced embellishments the building was a dump. It was a pretty crummy apartment and when itrained the paint on the walls bubbled something awful, but I liked being nearthe basement cafés where people were passionate about trying out new thingswith the spoken word, which was still pretty exciting to me at the time. In those days you could walk the streets allaround Washington Square and plunge down a narrow stairway here and there tofind a room painted all black with red light bulbs screwed into the fixturesand there d be someone standing in front of a crowd telling America to go tohell or maybe acting out the birth of a sacred cow in India. It was all kind of bananas and you were neversure what you were going to see, but after a while you started to come acrossthe same people mostly.
I had seen Miles, Swish, Bobby, and Pal around theVillage, of course, and they had seen me, too. We were friendly enough with one another, all of us being artytypes. I knew their faces and I knewtheir nam
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Autoren-Porträt von Suzanne Rindell
Suzanne Rindell is the author of The Other Typist. She has published her short fiction and poetry in Conjunctions (online), Nimrod, storySouth, Crab Orchard Review, and Cream City Review. Rindell lives in New York City.
Bibliographische Angaben
- Autor: Suzanne Rindell
- 2017, 512 Seiten, Maße: 13,9 x 20,8 cm, Kartoniert (TB), Englisch
- Verlag: Penguin US
- ISBN-10: 0399574778
- ISBN-13: 9780399574771
- Erscheinungsdatum: 09.02.2018
Sprache:
Englisch
Pressezitat
Praise for Three-Martini LunchThink of it as the publishing industry s take on Mad Men: a gripping fictional dispatch from the world of talented writers and editors with big dreams, secrets, and booze bills. Entertainment Weekly
Packed with narrative surprises... Rindell keeps the suspense strong as we wonder if Eden and Cliff and Miles are fated for success or doomed to failure. CT Post
A rollicking period piece that builds to a magnificent crescendo. With an excellent ear for the patter and cadence of the time, Rindell expertly brings a bygone era to life, though the struggles of her trio feel anything but dated. While blackmail and backstabbing keep things suitably scandalous, Rindell also explores deeper issues of race, sexuality, class and gender in ways that feel vital and timely. The end result is a moving novel that proves provocative in more ways than one. BookPage
Sprawling across more than 500 pages, the new novel Three-Martini Lunch captures the excesses as well as the inhibitions of New York City in 1958, from the eponymous meals of the big Manhattan publishing houses, to wild drinking-and-drug bouts in Greenwich Village, to the lingering paranoia of McCarthyism, to the casual racism, sexism, homophobia and anti-Semitism among the professional class. New York Journal of Books
Compulsively readable melodrama about life in the Manhattan publishing world of the 1950s [Rindell] does it with such high style and draped in such alluring, gin-soaked detail that we overcome our critical selves and root like hell for Eden to become an editor, for Miles to accept his love for Joey, and for Cliff to quit being a jerk. Booklist
[Three-Martini Lunch] offers a captivating look into the vibrancy of mid-20th-century New York City through the eyes of three flawed and therefore, fascinating young characters. Library Journal
With its vivid historical setting and the narrators' distinct voices, this ambitious novel is both an
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homage to the beatnik generation and its literature, as well as an evocative story of the price one pays for going after one's dreams. Publishers Weekly
Suzanne Rindell s latest novel is a riveting account of three young adults struggling to define themselves against issues of family, race, and sexual identity in the intolerant world of the '50s. Three-Martini Lunch is a gripping study of the ways in which people betray others and themselves in an effort to carve out places for themselves in a competitive and unforgiving world. Sara Gruen, New York Times-bestselling author of Water for Elephants and At the Water s Edge
Set in New York City's Beat Generation, a skillfully crafted story of three young professionals trying to make it big in publishing: This is Three-Martini Lunch. Their choices and sacrifices ripple out from the pages and shake our hearts. A gripping read. Sarah McCoy, New York Times-bestselling author of The Mapmaker's Children
Three-Martini Lunch does for publishing what Mad Men did for advertising. It takes you back in time and then proceeds to etch in a whole world, stroke by stroke. This fast-moving novel is rich with incident and wonderfully conflicted characters. James Magnuson, author of Famous Writers I Have Known
Suzanne Rindell s latest novel is a riveting account of three young adults struggling to define themselves against issues of family, race, and sexual identity in the intolerant world of the '50s. Three-Martini Lunch is a gripping study of the ways in which people betray others and themselves in an effort to carve out places for themselves in a competitive and unforgiving world. Sara Gruen, New York Times-bestselling author of Water for Elephants and At the Water s Edge
Set in New York City's Beat Generation, a skillfully crafted story of three young professionals trying to make it big in publishing: This is Three-Martini Lunch. Their choices and sacrifices ripple out from the pages and shake our hearts. A gripping read. Sarah McCoy, New York Times-bestselling author of The Mapmaker's Children
Three-Martini Lunch does for publishing what Mad Men did for advertising. It takes you back in time and then proceeds to etch in a whole world, stroke by stroke. This fast-moving novel is rich with incident and wonderfully conflicted characters. James Magnuson, author of Famous Writers I Have Known
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