Time in Music and Culture
(Sprache: Englisch)
For centuries, the dispute over time has concerned mainly its objective and relative character. For the author, besides philosophy and science, the principal point of reference is man, the way he exists in time and space, and the way he observes, senses and...
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For centuries, the dispute over time has concerned mainly its objective and relative character. For the author, besides philosophy and science, the principal point of reference is man, the way he exists in time and space, and the way he observes, senses and organises those domains, as documented in the products of musical activity.
Klappentext zu „Time in Music and Culture “
From Aristotle to Heidegger, philosophers distinguished two orders of time, before, after and past, present, future, presenting them in a wide range of interpretations. It was only around the turn of the 1970s that two theories of time which deliberately went beyond that tradition, enhancing our notional apparatus, were produced independently of one another. The nature philosopher Julius T. Fraser, founder of the interdisciplinary International Society for the Study of Time, distinguished temporal levels in the evolution of the Cosmos and the structure of the human mind: atemporality, prototemporality, eotemporality, biotemporality and nootemporality. The author of the book distinguishes two 'dimensions' in time: the dimension of the sequence of time (syntagmatic) and the dimension of the sizes of duration or frequency (systemic). On the systemic scale, the author distinguishes, in human ways of existing and acting, a visual zone, zone of the psychological present, zone of works and performances, zone of the natural and cultural environment, zone of individual and social life and zone of history, myth and tradition. In this book, the author provides a synthesis of these theories.
Inhaltsverzeichnis zu „Time in Music and Culture “
Time - Music - Culture - Time zones - Zonality - Temporality - Space - Historical time - Folk music - Traditional music - The zonality of time - The zone of note pitches - The zone of the psychological present - The zone of works and performances - The zone of ecological time - The zone of individual and social life
Autoren-Porträt von Ludwik Bielawski
Ludwik Bielawski is ethnomusicologist and music theorist. He is Professor in the Institute of Art of the Polish Academy of Sciences and the Fryderyk Chopin University of Music. His works focus on the musical folk traditions of Poland and Europe, and also on theoretical aspects of time and space in music and in culture.
Bibliographische Angaben
- Autor: Ludwik Bielawski
- 2019, Neuausgabe, 406 Seiten, 121 Abbildungen, Maße: 15,4 x 21,2 cm, Gebunden, Englisch
- Übersetzer: John Comber
- Verlag: Peter Lang Ltd. International Academic Publishers
- ISBN-10: 3631790619
- ISBN-13: 9783631790618
Sprache:
Englisch
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