Towards A Queer Black Feminist Theatre Aesthetic:
Black American Theater By Three Black Female Playwrights In The Years 1915-1920
(Sprache: Englisch)
"Black women playwrights in particular have ensured its [Black culture's] survival through creating performance pieces that reflexively evaluate their life experiences" (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and...
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"Black women playwrights in particular have ensured its [Black culture's] survival through creating performance pieces that reflexively evaluate their life experiences" (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, "They That Sit in Darkness"; Angelina Weld Grimké, "Rachel" and Alice Dunbar Nelson, "Mine Eyes Have Seen" - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People's "The Crisis" and Margaret Sanger's "The Birth Control Review". I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic.
Bibliographische Angaben
- Autor: Deanna Downes
- 2017, 180 Seiten, Maße: 22 cm, Kartoniert (TB), Englisch
- Verlag: LAP Lambert Academic Publishing
- ISBN-10: 3330055936
- ISBN-13: 9783330055933
Sprache:
Englisch
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