Understanding Digital Humanities
(Sprache: Englisch)
Confronting the digital revolution in academia, this book examines the application of new computational techniques and visualisation technologies in the Arts & Humanities. Uniting differing perspectives, leading and emerging scholars discuss the theoretical...
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Confronting the digital revolution in academia, this book examines the application of new computational techniques and visualisation technologies in the Arts & Humanities. Uniting differing perspectives, leading and emerging scholars discuss the theoretical and practical challenges that computation raises for these disciplines.
Klappentext zu „Understanding Digital Humanities “
The application of new computational techniques and visualisation technologies in the Arts and Humanities are resulting in fresh approaches and methodologies for the study of new and traditional corpora. This 'computational turn' takes the methods and techniques from computer science to create innovative means of close and distant reading. This book discusses the implications and applications of 'Digital Humanities' and the questions raised when using algorithmic techniques. Key researchers in the field provide a comprehensive introduction to important debates surrounding issues such as the contrast between narrative versus database, pattern-matching versus hermeneutics, and the statistical paradigm versus the data mining paradigm. Also discussed are the new forms of collaboration within the Arts and Humanities that are raised through modular research teams and new organisational structures, as well as techniques for collaborating in an interdisciplinary way.Inhaltsverzeichnis zu „Understanding Digital Humanities “
Acknowledgements Introduction: Understanding the Digital Humanities; D.M.Berry An Interpretation of Digital Humanities; L.Evans & S.Rees How We Think: Transforming Power and Digital Technologies; N.K.Hayles Digital Methods: Five Challenges; B.Rieder & T.Röhle Archives in Media Theory: Material Media Archaeology and Digital Humanities; J.Parikka Canonicalism and the Computational Turn; C.Bassett The Esthetics of Hidden Things; S.Dexter The Meaning and the Mining of Legal Texts; M.Hildebrandt Have the Humanities Always been Digital? For an Understanding of the 'Digital Humanities' in the Context of Originary Technicity; F.Frabetti Present, Not Voting: Digital Humanities in the Panopticon; M.Terras Analysis Tool or Research Methodology: Is There an Epistemology for Patterns?; D.Dixon Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualization; A.Heftberger The Feminist Critique: Mapping Controversy in Wikipedia; M.Currie How to See One Million Images? A Computational Methodology for Visual Culture and Media Research; L.Manovich Cultures of Formalization: Towards an Encounter Between Humanities and Computing; J.van Zundert, A.Antonijevic, A.Beaulieu, K.van Dalen-Oskam, D.Zeldenrust & T.Andrews Trans-disciplinarity and Digital Humanity: Lessons Learned from Developing Text Mining Tools for Textual Analysis; Y.Lin Index
Autoren-Porträt
DAVID BERRY is Lecturer in Media and Communication at the University of Swansea. He is the author of Understanding Softward in the Digital Age: Code, Mediation and Computation (Palgrave, forthcoming)Copy, Rip, Burn: The Politics of Copyleft and Open Source (Pluto, 2008) and co-editor of Libre Culture (Pygmalion Books, Canada, 2008). He has also published in journals such as Theory, Culture and Society, Critical Discourse Studies and The Journal of Internet Research.
Bibliographische Angaben
- 2012, 318 Seiten, Maße: 15,9 x 23,9 cm, Kartoniert (TB), Englisch
- Herausgegeben:Berry, D.
- Herausgegeben: David M. Berry
- Verlag: Palgrave Macmillan
- ISBN-10: 0230292658
- ISBN-13: 9780230292659
- Erscheinungsdatum: 07.02.2012
Sprache:
Englisch
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