Universal Women: Filmmaking and Institutional Change in Early Hollywood
(Sprache: Englisch)
Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one was left. Focusing on issues of institutional change, this...
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Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one was left. Focusing on issues of institutional change, this title challenges the interpretations that explain women's exile from the film industry.
Autoren-Porträt von Mark Garrett Cooper
Mark Garrett Cooper is an associate professor of English and film and media studies and the director of the Moving Image Research Collections at the University of South Carolina. He is the author of "Love Rules: Silent Hollywood and the Rise of the Managerial Class."
Bibliographische Angaben
- Autor: Mark Garrett Cooper
- 2010, 230 Seiten, Maße: 15,2 x 22,6 cm, Kartoniert (TB), Englisch
- Verlag: UNIV OF ILLINOIS PR
- ISBN-10: 0252077008
- ISBN-13: 9780252077005
Sprache:
Englisch
Rezension zu „Universal Women: Filmmaking and Institutional Change in Early Hollywood “
"With rigorous focus, admirable economy, and wide-ranging research, Cooper outlines a sophisticated strategy for investigating how and why Universal Studios hired women as directors and then stopped doing so. This is the book we have been waiting for." Kay Armatage, author of The Girl from God's Country: Nell Shipman and the Silent Cinema
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