Kinderman, W: Wagner's Parsifal
(Sprache: Englisch)
William Kinderman's detailed study of Parsifal, described by the composer as his last card, explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career.
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Klappentext zu „Kinderman, W: Wagner's Parsifal “
William Kinderman's detailed study of Parsifal, described by the composer as his last card, explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career.
Inhaltsverzeichnis zu „Kinderman, W: Wagner's Parsifal “
Contents; Prelude: Parsifal as Art and Ideology; Part 1: The Process of Composition; 1. The Poem and Its Background and Evolution; 2. The Genesis of the Music; Part 2: Musical Form and Dramatic Meaning; 3. Wagner's Late Style; 4. Grail and Anti-Grail; 5. The Sense of an Ending
Autoren-Porträt von William Kinderman
William Kinderman is professor of music at the University of Illinois, has taught extensively in Berlin and Munich, Germany, and held many seminars at the Wagner Festival at Bayreuth. He has written or edited many books, including Beethoven and Mozart's Piano Music. He is an accomplished concert pianist, and has recorded Beethoven's Diabelli Variations and last sonatas.
Bibliographische Angaben
- Autor: William Kinderman
- 2013, VI, 327 Seiten, mit Abbildungen, Maße: 16,1 x 24,1 cm, Gebunden, Englisch
- Verlag: Oxford University Press
- ISBN-10: 0195366921
- ISBN-13: 9780195366921
Sprache:
Englisch
Rezension zu „Kinderman, W: Wagner's Parsifal “
"I am eager with anticipation of this new book and will carry it with me for years to come!" --Eric Halfvarson, bass "The best of the bicentennial books that I have examined...Elegantly written, drawing from cutting-edge scholarship and historical sources, Kinderman's study probes the genesis, literary roots, music and afterlives of Parsifal along with its many contradictions, chief among them that a work centering on compassion and reconciliation was one from which Hitler drew inspiration." --Marion Lignana Rosenberg, WQXR Operavore
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