Williams
A Streetcar Named Desire
(Sprache: Englisch)
This first continuous history of the play surveys major productions and transformations into ballet, film, television, and opera.
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Klappentext zu „Williams “
This first continuous history of the play surveys major productions and transformations into ballet, film, television, and opera.
Inhaltsverzeichnis zu „Williams “
List of illustrations; General preface; Preface; Acknowledgements; 1. A Streetcar Named Desire - The Broadway premiere and beyond; 2. Streetcar on the world stage: the national premieres, 1948-1953; 3. Streetcar revivals on the English-language stage; 4. Recasting the players: expanding and radicalizing the Streetcar script; 5. Streetcar in other media; Selective production chronology; Notes; Selective bibliography of criticism of Streetcar; Index.
Autoren-Porträt von Philip C. Kolin
Philip C. Kolin is the university distinguished professor of English (emeritus) at the University of Southern Mississippi, where he is also the editor emeritus of Southern Quarterly (2011-2017). He has published more than forty books, including several collections of poetry, most recently Emmett Till in Different States: Poems (2015) and Benedict's Daughter (Wipf & Stock, 2017).
Bibliographische Angaben
- Autor: Philip C. Kolin
- 252 Seiten, Maße: 14 x 21,6 cm, Kartoniert (TB), Englisch
- Herausgegeben: Philip C. Kolin, Michael Robinson
- Verlag: Cambridge University Press
- ISBN-10: 0521626102
- ISBN-13: 9780521626101
- Erscheinungsdatum: 27.04.2000
Sprache:
Englisch
Rezension zu „Williams “
'[A] marvellous investigation of Williams' most famous play in production, fully attentive to design, music and acting.' Plays International 'It's probably a good bet that [Williams] would have enjoyed reading Kolin's entertaining and informative fifty-year record of his dramatic masterpiece.' World Literature Today 'Written in an engaging style, this book is a vital addition to the history of American theatre and to the study of Tennessee Williams.' Southern Theatre 'Kolin's passionate attachment to the playwright frankly infuses his commentary ... anyone who picks up his book will learn something new from this well written, entertaining and accessible mixture of theatre history, dramatic criticism, and cultural analysis.' American Drama 'Kolin's argument is most convincing regarding Streetcar's 'sustaining power and protean magic', for he sophicatedly analyzes a wealth of Streetcar productions, revisions, revivals and 'radicalizations' since its 1947 debut.' Theatre History Studies
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