Worldly Affiliations - Artistic Practice, National Identity, and Modernism in India, 1930 1990; .
Artistic Practice, National Identity, and Modernism in India, 19301990
(Sprache: Englisch)
Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists - Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan,...
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Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists - Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar - situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists engagement with the West - an urgent yet fraught project in the wake of British colonialism - and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. D
Autoren-Porträt von Sonal Khullar
Sonal Khullar is Assistant Professor of South Asian Art at the University of Washington, Seattle.
Bibliographische Angaben
- Autor: Sonal Khullar
- 2015, 368 Seiten, 104 Abbildungen, Maße: 18,7 x 26,2 cm, Gebunden, Englisch
- Verlag: University of California Press
- ISBN-10: 0520283678
- ISBN-13: 9780520283671
- Erscheinungsdatum: 22.07.2015
Sprache:
Englisch
Pressezitat
"Beautifully written, compellingly argued, Sonal Khullars book not only offers a major contribution to the study of Indian modernism, it also advances our methodological understanding of modern art at large. A vital addition to an exciting body of emerging art-historical scholarship that promises to fundamentally transform received ideas on modernism in the coming years. - Iftikhar Dadi, Cornell University
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