21st-Century British Gothic (PDF)
The Monstrous, Spectral, and Uncanny in Contemporary Fiction
(Sprache: Englisch)
In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the...
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In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the insecure, uneven and precarious experience of 21st-century life. Reading contemporary works of Gothic fiction by Helen Oyeyemi, Kazuo Ishiguro, Sarah Moss, Patrick McGrath and M.R. Carey alongside writers not previously grouped under this umbrella, including Brian Chikwava, Chloe Aridjis and Mohsin Hamid, Horton illuminates the way the Gothic has been engaged and reread by contemporary writers to address the cultural anxieties invoked living under neocolonial and neoliberal governance, including terrorism, migration, homelessness, racism, and climate change.
Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st-century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st-Century British Gothic can tests geographical, psychological, cultural, and aesthetic borders to expose an often spectralised experience of human and planetary vulnerability and speaks back against the brutality of global capitalism.
Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st-century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st-Century British Gothic can tests geographical, psychological, cultural, and aesthetic borders to expose an often spectralised experience of human and planetary vulnerability and speaks back against the brutality of global capitalism.
Autoren-Porträt von Emily Horton
Emily Horton is Senior Lecturer in English at Brunel University, UK. Her research interests include contemporary world literature, specializing in trauma and affect theory, genre and popular fiction, and fictional explorations of globalization and transnationalism. Her monograph, Contemporary Crisis Fictions, was published in 2014, and she has also co-edited the following volumes: The 2010s: A Decade in Contemporary British Fiction, with Nick Bentley, Philip Tew and Nick Hubble (Bloomsbury, 2024); The 1980s: A Decade in Contemporary British Fiction, with Philip Tew and Leigh Wilson (Bloomsbury, 2014); and Ali Smith, with Monica Germanà (Bloomsbury, 2013).
Bibliographische Angaben
- Autor: Emily Horton
- 2024, 272 Seiten, Englisch
- Verlag: Bloomsbury UK
- ISBN-10: 1350286575
- ISBN-13: 9781350286573
- Erscheinungsdatum: 25.01.2024
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- Größe: 6.86 MB
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Englisch
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