A Companion to Hong Kong Cinema / CNCZ - The Wiley-Blackwell Companions to National Cinemas (PDF)
(Sprache: Englisch)
A Companion to Hong Kong Cinema provides the first
comprehensive scholarly exploration of this unique global cinema.
By embracing the interdisciplinary approach of contemporary film
and cultural studies, this collection navigates theoretical...
comprehensive scholarly exploration of this unique global cinema.
By embracing the interdisciplinary approach of contemporary film
and cultural studies, this collection navigates theoretical...
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A Companion to Hong Kong Cinema provides the first
comprehensive scholarly exploration of this unique global cinema.
By embracing the interdisciplinary approach of contemporary film
and cultural studies, this collection navigates theoretical debates
while charting a new course for future research in Hong Kong
film.
* Examines Hong Kong cinema within an interdisciplinary context,
drawing connections between media, gender, and Asian studies,
Asian regional studies, Chinese language and cultural studies,
global studies, and critical theory
* Highlights the often contentious debates that shape current
thinking about film as a medium and its possible future
* Investigates how changing research on gender, the body, and
sexual orientation alter the ways in which we analyze sexual
difference in Hong Kong cinema
* Charts how developments in theories of colonialism,
postcolonialism, globalization, neoliberalism, Orientalism,
and nationalism transform our understanding of the economics and
politics of the Hong Kong film industry
* Explores how the concepts of diaspora, nostalgia, exile, and
trauma offer opportunities to rethink accepted ways of
understanding Hong Kong's popular cinematic genres and
stars
comprehensive scholarly exploration of this unique global cinema.
By embracing the interdisciplinary approach of contemporary film
and cultural studies, this collection navigates theoretical debates
while charting a new course for future research in Hong Kong
film.
* Examines Hong Kong cinema within an interdisciplinary context,
drawing connections between media, gender, and Asian studies,
Asian regional studies, Chinese language and cultural studies,
global studies, and critical theory
* Highlights the often contentious debates that shape current
thinking about film as a medium and its possible future
* Investigates how changing research on gender, the body, and
sexual orientation alter the ways in which we analyze sexual
difference in Hong Kong cinema
* Charts how developments in theories of colonialism,
postcolonialism, globalization, neoliberalism, Orientalism,
and nationalism transform our understanding of the economics and
politics of the Hong Kong film industry
* Explores how the concepts of diaspora, nostalgia, exile, and
trauma offer opportunities to rethink accepted ways of
understanding Hong Kong's popular cinematic genres and
stars
Autoren-Porträt
Esther M.K. Cheung is Department Chairperson, Department of Comparative Literature, School of Humanities, at the University of Hong Kong. She is the author of Fruit Chan's Made in Hong Kong (2009) and In Pursuit of Independent Visions in Hong Kong Cinema (2010).Gina Marchetti is Professor, Department of Comparative Literature, School of Humanities, at the University of Hong Kong. Her books include Romance and the "Yellow Peril": Race, Sex and Discursive Strategies in Hollywood Fiction (1993) and Andrew Lau and Alan Mak's INFERNAL AFFAIRS--The Trilogy (2007).
Esther C.M. Yau is Associate Professor, Department of Comparative Literature, School of Humanities, at the University of Hong Kong. Her books include At Full Speed: Hong Kong Cinema in a Borderless World (editor, 2001) and New Chinese Cinemas: Forms, Identities, Politics (co-editor, 1996).
Bibliographische Angaben
- 2015, 1. Auflage, 640 Seiten, Englisch
- Herausgegeben: Esther M. K. Cheung, Gina Marchetti, Esther C. M. Yau
- Verlag: John Wiley & Sons
- ISBN-10: 1118883543
- ISBN-13: 9781118883549
- Erscheinungsdatum: 08.06.2015
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Englisch
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