A Companion to Renaissance and Baroque Art / Blackwell Companions to Art History (ePub)

Preface/Acknowledgments Introduction Babette Bohn and James M. Saslow, Co-Editors Part 1. The Context: Social-Historical Factors in Artistic Production 1. A Taxonomy of Art Patronage in Renaissance Italy Sheryl Reiss 2. Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters Shelley Perlove 3. Religion, Politics and Art in Late Medieval and Renaissance Italy Julia I. Miller 4. Europe's Global Vision Larry Silver 5. Italian Art and the North: Exchanges, Critical Reception, and Identity, 1400-1700 Amy Golahny 6. The Desiring Eye: Gender, Sexuality, and Visual Art James M. Saslow Part 2. The Artist: Creative Process and Social Stature 7. The Artist as Genius William E. Wallace 8. Drawing in Renaissance Italy Mary Vaccaro 9. Self-portraiture 1400-1700 H. Perry Chapman 10. Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age Elinor Richter 11. From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe Babette Bohn Part 3. The Object: Art as Material Culture 12. The Birth of Mass Media: Printmaking in Early Modern Europe Alison Stewart 13. The Material Culture of Family Life in Italy and Beyond Jacqueline Marie Musacchio 14. Tapestry: Luxurious Art, Collaborative Industry Koenraad Brosens 15. The New Sciences and the Visual Arts Eileen Reeves 16. Seeing Through Renaissance and Baroque Paintings: Case Studies Claire Barry Part 4. The Message: Subjects and Meanings 17. Iconography in Renaissance and Baroque Art Mark Zucker 18. Renaissance Landscapes: Discovering the World and Human Nature Lawrence O. Goedde 19. The Nude Figure in Renaissance Art Thomas Martin 20. Genre painting in Seventeenth-century Europe Wayne Franits 21. The Meaning of the European Painted Portrait, 1400-1650 Joanna Woods-Marsden 22. All the World's a Stage: The Theater Conceit in Early Modern Italy Inge Reist 23. Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550-1700 Marcus

Babette Bohn is Professor of Art History at Texas Christian
University. Her publications include two books on Italian prints,
Agostino Carracci (1995) and Italian Masters of the
Sixteenth Century (1996), and two on the drawings of
Ludovico Carracci (2004) and Guido Reni (2008).



James M. Saslow is Professor of Art History, Theatre, and
Renaissance Studies at Queens College and the Graduate Center, City
University of New York. His most recent book, Pictures and
Passions: A History of Homosexuality in the Visual Arts (1999),
received two awards from the Lambda Literary Foundation.

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