Cinema's Illusions, Opera's Allure (PDF)
The Operatic Impulse in Film
(Sprache: Englisch)
The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The...
Leider schon ausverkauft
eBook (pdf)
124.99 €
- Lastschrift, Kreditkarte, Paypal, Rechnung
- Kostenloser tolino webreader
Produktdetails
Produktinformationen zu „Cinema's Illusions, Opera's Allure (PDF)“
The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways - some predictable, some unexpected, and some bizarre - in which this has happened.
The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence - a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility.
Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence - a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility.
Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
Autoren-Porträt von David Schroeder
David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008).
Bibliographische Angaben
- Autor: David Schroeder
- 2016, 1. Auflage, 400 Seiten, Englisch
- Verlag: Bloomsbury UK
- ISBN-10: 1474291414
- ISBN-13: 9781474291415
- Erscheinungsdatum: 06.10.2016
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Größe: 86 MB
- Mit Kopierschutz
Sprache:
Englisch
Kopierschutz
Dieses eBook können Sie uneingeschränkt auf allen Geräten der tolino Familie lesen. Zum Lesen auf sonstigen eReadern und am PC benötigen Sie eine Adobe ID.
Kommentar zu "Cinema's Illusions, Opera's Allure"
0 Gebrauchte Artikel zu „Cinema's Illusions, Opera's Allure“
| Zustand | Preis | Porto | Zahlung | Verkäufer | Rating |
|---|
Schreiben Sie einen Kommentar zu "Cinema's Illusions, Opera's Allure".
Kommentar verfassen