Disability and Art History (PDF)
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This is the first book of its kind to feature interdisciplinary art history and disability studies. Moving away from the medical model of disability that is often scrutinized in art history, the book considers the social model and representations of disabled figures. Topics addressed include visible versus invisible impairments; scientific, anthropological, and vernacular images of disability; and the implications of looking/staring versus gazing. Disability and Art History explores ways in which art responds to, envisions, and at times stereotypes and pathologizes disability, and aims to contextualize disability historically, as well as in terms of medicine, literature, and visual culture.
Elizabeth Howie is Associate Professor of Art History at Coastal Carolina University in Conway, South Carolina. She received her PhD in art history at the University of North Carolina, Chapel Hill. Publications include "Proof of the Forgotten: A Benjaminian Reading of Daguerre's Two Views of the Boulevard du Temple," in Walter Benjamin and the Aesthetics of Change: An Interdisciplinary Approach; "Bringing Out the Past: Courtly Cruising and Nineteenth-Century American Men's Passionate Friendship Portraits," in Love Objects: Emotion, Design, and Material Culture; and a co-edited (with Ann Millett-Gallant) special issue of the Review of Disability Studies on interdisciplinary art history and disability studies research.
- 2016, 218 Seiten, Englisch
- Herausgegeben: Ann Millett-Gallant, Elizabeth Howie
- Verlag: Taylor & Francis
- ISBN-10: 1315439999
- ISBN-13: 9781315439990
- Erscheinungsdatum: 26.10.2016
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- Größe: 8.81 MB
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