Drunk on Capitalism. An Interdisciplinary Reflection on Market Economy, Art and Science / Einstein Meets Magritte: An Interdisciplinary Reflection on Science, Nature, Art, Human Action and Society Bd.11 (PDF)
Part One: Science for Sale, A Dollar Green Science Scene, focuses on new alliances of contemporary science and...
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This interdisciplinary collection of essays probes the impact of the market economy on art and science in the post-Berlin Wall era.
Part One: Science for Sale, A Dollar Green Science Scene, focuses on new alliances of contemporary science and education with commercial funding, and the commodification of knowledge. Among the questions addressed here are: Does proximity to economic power eclipse freedom of knowledge? When science and education become businesses, what are the risks for a sell-out of patented knowledge, an abuse of research for business purposes or a commercialization of symbolic power?
Part Two: Art for Sale, Buy Buy Art, elaborates on the multifaceted and ambiguous relationship between art and capital. Contemporary art claims to be autonomous, but art costs money and artists cannot survive on their love for art alone. How do artists respond to the rise of economic strictures in modern culture in general and the art market in particular? When works of art become investments, can art still be critical of economic injustice? What role remains for the artist in a global, late-capitalist society?
Christel Stalpaert is professor at the Department of Performance Studies and Film at the University of Ghent (Belgium). Her main field of study is performing arts at the crossroads of Gilles Deleuze's aesthetics of intensities and Luce Irigaray's corporeal philosophy.
Frederik Le Roy is a PhD student affiliated with the Department of Performance Studies and Film at Ghent University. He holds degrees from the Catholic University of Leuven (licentiate in Philosophy, 2003) and Ghent University (candidate in Philosophy, 2001; licentiate in Theatre Studies, 2005). During the spring semester of 2006 he was a visiting research student at the Department of Theatre, Dance and Performance Studies of UC Berkeley. His research, which is funded by the Flemish Research Foundation (PhD fellowship - FWO-Vlaanderen), explores ways in which traditional concepts and methods of history are put into question by aesthetic and performative means in contemporary performing arts.
Diederik Aerts is professor at the 'Brussels Free University' and director of the 'Leo Apostel Centre (CLEA)', an interdisciplinary and interuniversity (VUB, UGent, KULeuven) research centre, where researchers of different disciplines work on interdisciplinary projects. He is also head of the research group 'Foundations of the ExactSciences (FUND)' at the VUB. He is
- Autoren: Diederik Aerts , Robrecht Vanderbeeken , Christel Stalpaert
- 2011, 2012, 180 Seiten, Englisch
- Herausgegeben: Robrecht Vanderbeeken, Frederik Le Roy, Christel Stalpaert, Diederik Aerts
- Verlag: Springer-Verlag GmbH
- ISBN-10: 9400720823
- ISBN-13: 9789400720824
- Erscheinungsdatum: 28.09.2011
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- Dateiformat: PDF
- Größe: 2.77 MB
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