Feminist Futures? / Performance Interventions (PDF)
Theatre, Performance, Theory
(Sprache: Englisch)
This work is a timely contribution to the debates surrounding feminism, theatre and performance. The excellent, cross-generational mix of theatre scholars and practitioners engaging in lively, cutting-edge debates on critical topics make this essential...
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This work is a timely contribution to the debates surrounding feminism, theatre and performance. The excellent, cross-generational mix of theatre scholars and practitioners engaging in lively, cutting-edge debates on critical topics make this essential reading for students and scholars in Theatre and Performance Studies as well as Gender Studies.
Autoren-Porträt
GERALDINE HARRIS is Professor of Theatre Studies at Lancaster University, UK. She has published widely on female performance and performativity including Staging Femininities (1999). Her more recent book Beyond Representation focuses on the politics and aesthetics of television drama. She also works as a devisor, writer, director and adapter.ELAINE ASTON is Professor of Contemporary Performance at Lancaster University, UK. She has published extensively on feminist theatre and performance, and her major works include An Introduction to Feminism and Theatre (1997) and Feminist Views on the English Stage (2003). With Geraldine Harris, she leads the AHRC funded research project on Women's Writing for Performance.
Bibliographische Angaben
- 2006, 2006, 243 Seiten, Englisch
- Herausgegeben: G. Harris, E. Aston
- Verlag: Springer-Verlag GmbH
- ISBN-10: 0230554946
- ISBN-13: 9780230554948
- Erscheinungsdatum: 13.04.2006
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Größe: 1.07 MB
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Sprache:
Englisch
Pressezitat
'[A] resolutely interrogatory body of essays... Feminist Futures? is an admirable inquiry, one question mark that inevitably raises many more.' - Laura Baggaley, Times Literary Supplement'Feminist Futures?, like feminism itself, [is] a polyvocal interrogation of complex issues which can have no single articulation or solution, but in which many different voices speak of common concerns.' - Laura Baggaley, Times Literary Supplement
''For those interested in women and performance, it is an absolutely critical book.' - Erin Striff, Modern Drama
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