Gabriel Fauré: The Songs and their Poets (PDF)
(Sprache: Englisch)
The career of Gabriel Faur's a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Saëns, was a suavely...
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The career of Gabriel Faur's a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Saëns, was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur's no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Autoren-Porträt von Graham Johnson
Graham Johnson's career as a distinguished concert accompanist has always encompassed his activities as a scholar of song and planner of recital programmes. Founder of the Songmakers' Almanac, he has written the notes for his recordings of the complete songs of Schubert and Schumann. Author of A French Song Companion and Britten: Voice and Piano (the latter for Ashgate) he has masterminded Hyperion Record's French Song Edition, including the complete Chabrier and Fauré songs. He was appointed OBE in 1994 and Chevalier de l'ordre des arts et des lettres in 2002. He is Senior Professor of accompaniment at the Guildhall School of Music and Drama in London.
Bibliographische Angaben
- Autor: Graham Johnson
- 2017, 488 Seiten, Englisch
- Verlag: Taylor & Francis
- ISBN-10: 1351566113
- ISBN-13: 9781351566117
- Erscheinungsdatum: 05.07.2017
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- Größe: 57 MB
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