Globalization and Contemporary Art (ePub)

List of Illustrations. Notes on Contributors. Introduction: Globalization and Contemporary Art: A Convergence of Peoples and Ideas (Jonathan Harris). Part 1: Institutions. Introduction. 1 Real Time and Real Time at The Israel Museum, Jerusalem (Vivianne Barsky). 2 Peddling Time When Standing Still: Art Remains in Lebanon and the Globalization That Was (Walid Sadek). 3 Homogeneity or Individuation? A Long View of the Critical Paradox of Contemporary Art in a Stateless Nation (Peter Lord). 4 Museums in the Colonial Horizon of Modernity: Fred Wilson's Mining the Museum (1992) (Walter Mignolo). 5 Africus Johannesburg Biennale 1995: Butisi Tart? (Natasha Becker). Part 2: Formations. Introduction. 6 Post-Crisis: Scenes of Cultural Change in Buenos Aires (Andrea Giunta). 7 Evolution within the Revolution: The Afro-Cuban Cultural Movement and Cuban Art Collectives, 1975 to 2000 (Zoya Kocur). 8 Ka Muhe'e, He i'a Hololua: Kanaka Maoli Art and the Challenge of the Global Market (Herman Pi'ikea Clark). 9 Aboriginal Cosmopolitans: A Prehistory of Western Desert Painting (Ian McLean). 10 Working to Learn Together: Failure as Tactic (Judith Rodenbeck). Part 3: Means and Forces of Production. Introduction. 11 The Two Economies of World Art (Malcolm Bull). 12 The Spectacle and Its Others: Labor, Conflict, and Art in the Age of Global Capital (Angela Dimitrakaki). 13 Cultural Mercantilism: Modernism's Means of Production: The Gutai Group as Case Study (Ming Tiampo). 14 Audiovisionaries of the Network Planet (Sean Cubitt). Part 4: Identifications. Introduction. 15 Contemporary Asian Art and the West (David Clarke). 16 World Pictures: Globalization and Visual Culture (W. J. T. Mitchell). 17 Leaves of Grass and Real Allegory: A Case Study of International Rebellion (Albert Boime). 18 Collaboration in Art and Society: A Global Pursuit of Democratic Dialogue (Nikos Papastergiadis). Part 5: Forms. Introduction. 19 Globalization Questions and Contemporary Art's Answers: Art in Palestine

Jonathan Harris is Professor of Global Art & Design Studies for the Winchester School of Art at the University of Southampton. He has published widely on contemporary art history and theory, and is a successful textbook author. His works include The New Art History: A Critical Introduction (2001) and Art History: The Key Concepts (2006).

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