How Not to Make It in the Pop World (Diary of an Almost Has-Been) (ePub)

The first Swinging Laurels WEA release, Rodeo, hit the streets in September 1982 and featured the distinctive percussive influence of Scritti Politti drummer Tom, but despite saturation Radio One airplay, was restricted to lower reaches of the national chart. Culture Club producer Steve Levine lent his expertise to the second single Lonely Boy which originally featured a fine vocal contribution by Boy George but due to contractual objections by his record label Virgin Records was eventually released minus his efforts.

1983 saw John touring with the Swinging Laurels, in their own right and as a special guests of Culture Club, at the request of Boy George who was a self-proclaimed fan. They were special guests on both of their sell-out UK tours in March and December. A Janice Long Radio One session was followed by a highly-successful Dutch festival tour where they supported Nick Lowe and Osibisa as well as headlining dates.

After parting company with WEA Records the Swinging Laurels formed their own label identity, Happy Records based, at their Leicester Studio Happy House.

The first Happy Records offering Zoom (Take the Test) achieved critical acclaim in 1984 and in promoting the disc they appeared on Radio One road shows hosted by disc jockeys Peter Powell and Adrian John.

Through 1985/86 John worked with Happy House featuring ex-Specials vocalist Rhoda Dakar. 1987 ushered in another Swinging Laurels platter Push and Shove through Happy Records.

During 1988 John was playing session sax with Food / Parlophone Records act Crazyhead, most notably on an eleven-nation tour of Europe and Scandinavia as special guests of godfather of punk Iggy Pop.

This was followed by a live T.V.appearance for the Thames Television series The Concert in 1989 and a slot at the prestigious Reading Festival. A chance to audition for Beautiful South along with the other Swinging Laurels brass men Gary Birtles and Tony Robinson was passed over due to other commitments. In hindsight this wasnÕt the wisest decision as they went on to notch up many hit records.

No Label Records reissued Push and Shove by the Swinging Laurels in 1990. Further brass sessions resulted in releases in the 1990s. One was in 1991 for Norman Beaton, star of Channel 4 world wide hit sit-com Desmonds, as well as tracks on an album by top ska exponents Ska-Boom on Extremely Nice Records in 1992.

Compilation CD albums featuring some earlier work surfaced through 1994 / 95 / 96 / 97. These included:

The 2-Tone Story and the No. 1 Ska Album (featuring versions of the Apollinaires track The Feelings Gone

Fun Boy Three compilations -The Best of the Fun Boy Three - Really Saying Something (Featuring Bananarama)

The Best of the Fun Boy Three and Colourfield (featuring various mixes of The Telephone Always Rings and Summer of 82.)

A six track Swinging Laurels CD was released in 1997 entitled Be Someone - signalling another collaboration with song writing partner and Beautiful South sax man Gaz Birtles. 1996 / 97 heralded re-runs of Fun Boy Three, Top of the Pops appearances on UK Gold television.

2000 saw the release Be Someone released by Internet label www.peoplesound.com and in the same year John completed a highly successful UK / Irish tour with Baby Genius as special guests of The Beautiful South. Baby Genius also scored a prime time TV appearance on BBC's Children in Need with Louise and Atomic Kitten. A 15-track Swinging Laurels compilation album Greatest Bits was issued in 2001 and tracks were recorded for an album called Learning To Cope with Happiness by The Charmers in 2002. In November 2002 a re-run of an earlier Top of the Pops appearance with the Fun Boy Three was shown on BBC2 s Top of the Pops 2.

In 2003 tracks were recorded with Normal Position for their album Rave Killed the Romance.