Light Imagery in the Spanish Ballad (PDF)

INTRODUCTION (p. 1)

For seven centuries the traditional Spanish ballads have not only survived but blossomed, capturing and retaining the attention of listeners and critics alike. Throughout the years myriad theories have been advanced, with varying degrees of success, to explain the "Romancero`s" vitality. It is our contention that the Spanish ballad`s lustre is a prime source of its longevity.

In the following chapters, we will explore in depth this significant aspect of the "Romancero tradicionar~its imagery of light. We have distinguished the following five categories of glittering terminology: 1) Natural light—sun, moon, stars, lightning, 2) Candles and lanterns, 3) Precious metals and stones, 4) the color white, and 5) Supernatural light—objects which, mysteriously, radiate their own brilliance.

In the first chapter, we will discuss the generic unity of the "Romancero". We maintain that light imagery is a heretofore unrecognized element of traditional style and, as such, is purposely and regularly incorporated throughout the "Romancero".

We will then, in Chapter II, explore the influence of the medieval Spanish concept of light upon "Romancero" usage. These Middle Age beliefs clarify the original meanings of brilliant imagery. They range from folk superstitions with regard to the effect of natural phenomena upon human destiny, to Plato`s metaphysics of light—the latter refined in Spain by Latin translations of Jewish and Arabic writings on this theme.

The symbolism of such metaphysics has its roots in solar mythology. In both the former and the latter light is God and, by extension, truth and knowledge, love and beauty and power. The understanding of this concept provides tremendous insights into Spanish ballad luminosity.

Chapter III will deal with the poetic techniques through which such images are incorporated in the Spanish ballad in such a way as to actualize the tale. The "romances" evoke the same emotions felt by the

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