Musical Symbolism in the Operas of Debussy and Bartok (PDF)
Trauma, Gender, and the Unfolding of the Unconscious
(Sprache: Englisch)
Musical Symbolism in the Operas of Debussy and Bart?k explores the means by which two early 20th century operas - Debussy's Pell'eas et M'elisande (1902) and Bart?k's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional...
sofort als Download lieferbar
eBook (pdf)
47.99 €
23 DeutschlandCard Punkte
sammeln
- Lastschrift, Kreditkarte, Paypal, Rechnung
- Kostenloser tolino webreader
Produktdetails
Produktinformationen zu „Musical Symbolism in the Operas of Debussy and Bartok (PDF)“
Musical Symbolism in the Operas of Debussy and Bart?k explores the means by which two early 20th century operas - Debussy's Pell'eas et M'elisande (1902) and Bart?k's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, B'ela Bal'azs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeard's Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.
Autoren-Porträt von Elliot Antokoletz
Elliott Antokoletz received the Béla Bártok Memorial Plaque and Diploma from the Hungarian Government in 1981. He is author of several books and co-editor of the International Journal of Musicology. He received his Ph.D in musicology from CUNY in 1975.
Bibliographische Angaben
- Autor: Elliot Antokoletz
- 2004, Englisch
- Verlag: Oxford University Press
- ISBN-10: 0195355954
- ISBN-13: 9780195355956
- Erscheinungsdatum: 22.07.2004
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Größe: 2.14 MB
- Mit Kopierschutz
Sprache:
Englisch
Kopierschutz
Dieses eBook können Sie uneingeschränkt auf allen Geräten der tolino Familie lesen. Zum Lesen auf sonstigen eReadern und am PC benötigen Sie eine Adobe ID.
Kommentar zu "Musical Symbolism in the Operas of Debussy and Bartok"
0 Gebrauchte Artikel zu „Musical Symbolism in the Operas of Debussy and Bartok“
| Zustand | Preis | Porto | Zahlung | Verkäufer | Rating |
|---|
Schreiben Sie einen Kommentar zu "Musical Symbolism in the Operas of Debussy and Bartok".
Kommentar verfassen