Producing Music (ePub)
During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right.
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During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right.
Jay Hodgson is on faculty at Western University, where he primarily teaches courses on songwriting and project paradigm record production. He is also one of two mastering engineers at MOTTOsound, a boutique audio services house situated in England. In the last few years, Dr. Hodgson's masters have twice been nominated for Juno Awards and topped Beatport's global techno and house charts, and he has contributed music to films recognized by the likes of Rolling Stone magazine and which screened at the United Nations General Assembly. He was awared a Governor General's academic medal in 2006, primarily in recognition of his research on audio recording, and his second book, Understanding Records (2010), was recently acquired by the Reading Room of the Rock and Roll Hall of Fame. He has other books published and forthcoming from Oxford University Press, Bloomsbury, Continuum, Wilfrid Laurier University Press, Focal Press, and
Mark Marrington trained in composition and musicology at the University of Leeds (MMus, PhD) and is currently a senior lecturer in music production at York St John University. He has previously held teaching positions at Leeds College of Music and the University of Leeds (School of Electronic and Electrical Engineering). Mark has published chapters with Cambridge University Press, Bloomsbury Academic, Routledge, and Future Technology Press and has contributed articles to British Music, Soundboard, the Musical Times, and the Journal on the Art of Record Production. Since 2010, his research has been focused on a range of music production topics with a particular emphasis on the role of digital technologies in music creation and production. Other interests include songwriting, music technology pedagogy, the contemporary classical guitar, and British classical music in the 20th century. His most recent research has been concerned with the aesthetics of classical music recording and a forthcoming monograph on the role of recordings in shaping the identity of the classical guitar in the 20th century.
- 2019, 356 Seiten, Englisch
- Herausgegeben: Russ Hepworth-Sawyer, Jay Hodgson, Mark Marrington
- Verlag: Taylor & Francis
- ISBN-10: 1351815091
- ISBN-13: 9781351815093
- Erscheinungsdatum: 28.03.2019
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- Dateiformat: ePub
- Größe: 3.89 MB
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