Resonant Matter (PDF)
Sound, Art, and the Promise of Hospitality
(Sprache: Englisch)
In Resonant Matter, Lutz Koepnick considers contemporary sound and installation art as a unique laboratory of hospitality amid inhospitable times. Inspired by Ragnar Kjartansson's nine-channel video installation The Visitors (2012), the book explores...
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In Resonant Matter, Lutz Koepnick considers contemporary sound and installation art as a unique laboratory of hospitality amid inhospitable times. Inspired by Ragnar Kjartansson's nine-channel video installation The Visitors (2012), the book explores resonance-the ability of objects to be affected by the vibrations of other objects-as a model of art's fleeting promise to make us coexist with things strange and other. In a series of nuanced readings, Koepnick follows the echoes of distant, unexpected, and unheard sounds in twenty-first century art to reflect on the attachments we pursue to sustain our lives and the walls we need to tear down to secure possible futures. The book's nine chapters approach The Visitors from ever-different conceptual angles while bringing it into dialogue with the work of other artists and musicians such as Lawrence Abu Hamdan, Guillermo Galindo, Mischa Kuball, Philipp Lachenmann, Alvien Lucier, Teresa Margolles, Carsten Nicolai, Camille Norment, Susan Philipsz, David Rothenberg, Juliana Snapper, and Tanya Tagaq. With this book, Koepnick situates resonance as a vital concept of contemporary art criticism and sound studies. His analysis encourages us not only to expand our understanding of the role of sound in art, of sound art, but to attune our critical encounter with art to art's own resonant thinking.
Autoren-Porträt von Lutz Koepnick
Lutz Koepnick is the Max Kade Foundation Chair in German Studies and Professor of Cinema and Media Arts at Vanderbilt University (Nashville, USA). Koepnick has published widely on film, media art, new media aesthetic, sound art, and intellectual history from the nineteenth to the twenty-first century. He is the author of The Long Take: Art Cinema and the Wondrous (2017), Michael Bay: World Cinema in the Age of Populism (2017), On Slowness: Toward an Aesthetic of the Contemporary (2014); Framing Attention: Windows on Modern German Culture (2007); and The Dark Mirror: German Cinema between Hitler and Hollywood(2002). Koepnick is the co-author of Windows | Interface (2007), and co-editor of various anthologies on sound culture, new media aesthetics, aesthetic theory, German cinema, and questions of exile.
Bibliographische Angaben
- Autor: Lutz Koepnick
- 2020, 1. Auflage, 256 Seiten, Englisch
- Verlag: Bloomsbury Publishing Inc
- ISBN-10: 1501343394
- ISBN-13: 9781501343391
- Erscheinungsdatum: 10.12.2020
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- Größe: 41 MB
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