Screening the Face (PDF)
(Sprache: Englisch)
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
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Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
Autoren-Porträt von P. Coates
PAUL COATES Professor in Film Studies at the University of Western Ontario, Canada. He has taught at McGill and the University of Aberdeen. His publications include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour (2010).
Bibliographische Angaben
- Autor: P. Coates
- 2012, 2012, 195 Seiten, Englisch
- Verlag: Palgrave Macmillan
- ISBN-10: 1137012285
- ISBN-13: 9781137012289
- Erscheinungsdatum: 11.05.2012
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
eBook Informationen
- Dateiformat: PDF
- Größe: 1.12 MB
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Sprache:
Englisch
Pressezitat
'Sharing Barthes' and Bergman's premise that the human face remains central to cinematic art, Coates' new book draws on film theory, philosophy, art history, and cultural studies to produce fresh, startling insights on the films that truly matter. The range of examples is as impressive as the erudition.' - Lloyd Michaels, Allegheny College, USA
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