Sounds and the City / Leisure Studies in a Global Era (PDF)
Popular Music, Place and Globalization
(Sprache: Englisch)
This book explores the ways in which Western-derived music connects with globalization, hybridity, consumerism and the flow of cultures. Both as local terrain and as global crossroads, cities remain fascinating spaces of cultural contestation and...
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This book explores the ways in which Western-derived music connects with globalization, hybridity, consumerism and the flow of cultures. Both as local terrain and as global crossroads, cities remain fascinating spaces of cultural contestation and meaning-making via the composing, playing, recording and consumption of popular music.
Autoren-Porträt
Steven Lee Beeber, Lesley University, USAAndy Bennett, Griffith University, Australia
John Connell, University of Sydney, Australia
Andrew Flory, Carleton College, USA
Karen Fox, University of Alberta, Canada
Chris Gibson, University of Wollongong, Australia
Anthony Macías, University of California, USA
Joseph Minadeo, PatternBased Music, USA
Diane Pecknold, University of Louisville, USA
Hilary Pilkington, University of Manchester, UK
Eric Porter, University of California, USA
Gabrielle Riches, Leeds Metropolitan University, UK
Ian Rogers, Griffith University, Australia
Wanda Rushing, University of Memphis, USA
P. Kahlil Saucier, Rhode Island College, USA
John Schofield, University of Turku, Finland
Jeremy Wallach, Bowling Green State University in Ohio, USA
Deena Weinstein, DePaul University, USA
Bibliographische Angaben
- 2014, 2014, 323 Seiten, Englisch
- Herausgegeben: B. Lashua, K. Spracklen, S. Wagg
- Verlag: Palgrave Macmillan
- ISBN-10: 1137283114
- ISBN-13: 9781137283115
- Erscheinungsdatum: 27.05.2014
Abhängig von Bildschirmgröße und eingestellter Schriftgröße kann die Seitenzahl auf Ihrem Lesegerät variieren.
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- Größe: 4.41 MB
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Sprache:
Englisch
Pressezitat
"Through research on Berlin, New York, Nashville, New Orleans, Los Angeles and beyond, this book shows how much there is to learn about the relationship between popular music and cities. It also includes fascinating discussion on places that have not been so commonly associated with popular music, including rural Australia and the Russian arctic, middle England and the Middle East. Sounds and the City will be an important addition to reading lists for those interested not only in music and cities but also in the geographical and global circulations of popular music and in cultural heritage and cultural memory, local identity and social change." - Sara Cohen, University of Liverpool, UK
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