The Production of Heritage (PDF)

Alan Chandler is a founding director of the architectural practice Arts Lettres Techniques with Luisa Auletta, working consistently on the interface between contemporary design and conservation since 1993, when fabric formed concrete casts weighing several tonnes were taken from the portico of Hawksmoor's St George's Church in Bloomsbury to create a site-specific installation while studying at the Architectural Association. This early engagement with questioning material and heritage value has persisted, with expertise in conservation accreditation and award-winning projects in the UK and Chile maintaining a focus on how politics and cultural perception connect with material and philosophical conservation. Examining for the RIBA Conservation Register began at its inception in 2011, followed by membership of the RIBA Conservation Committee and Steering Group, has allowed a perspective on the culture of professionalism, the criticism of which in this book should be balanced with a genuine respect for the knowledge and commitment of many professionals within the field, and an acknowledgement that the RIBA has made a genuine investment into conservation practice, supported by dedicated and intelligent staff within the organisation. The aim of the dissection is to discover what is missing, not what is wrong. He is a reader in architecture and currently leads research in architecture, computing and engineering at the University of East London.

Michela Pace is a researcher at the IUAV University of Venice in the field of urbanism; she has previously worked and collaborated with universities including UEL London, PoliTo Turin and PoliMi Milan, UH Hasselt and Tongji University Shanghai. She studied the rising centrality of the 'heritage' rhetoric within processes of urban financialization worldwide, and the use of notions of memory, legacy, patrimony and tradition inside city marketing. Heritage, in particular, was observed in